haraldo;264444 Wrote: 
> I reckon it's difficult to discuss such speakers without bringing the
> power amplifiers into the loop. Does anybody know which amps the famous
> UK studios are using?
> I have read that some studios are using very expensive Chord Poweramps,
> while I have also heard about Electrocompaniet Nemo.
> 
> The reasoning behind this, from me, is that I reckon it's not possible
> to get the full benefit of the larger B&W without "powerhouse"
> amplifiers.
> 
> When I auditioned the 802D they were driven by quite expensive / large
> Classe poweramps, and they were just not able to make the speakers come
> alive.
> 
> If you're auditioning speakers, perhaps you should also bring your own
> amplifier, if possible. It's a significant factor in the equation....
> 
> I bought speakers 15 years ago realizing afterwards that I didn't have
> the amplifiers to run them properly, that's not much fun.....
> 
> Some reviewers actually use Large Krell amps (like FPB-600cx) when
> reviewing $1500 B&W speakers. No one would use such a setup in the real
> world
> 
> An example: the Quattro Wood, will obviously be much easier on the amps
> because it's got a powered subwoofer and a passive high-pass filter in
> the signal path before the power amplifier. This makes a significant
> difference.
> 
> Regards
> 
> -H

Couldn't have said it better myself. Some time ago I bought my
Reference 9's and promptly learned a good deal about how good
amplifiers compare favorably with welders.

I've heard fine examples of B & W's and sadly I've had friends that
were unduly proud. The amp was the issue.

I would highlight earlier references to Dynaudio. As amp requirements
go, they are a handful but with adequate amps (not watts,) they are
stunningly broad and accurate.

P


-- 
pski
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