"Yes" recordings can be done at 96kHz for producing purposes .

We are limited by our hearing usually below 20kHz so we reproduce what
we can hear .

Some argue that 44.1 kHz is a close shave hence 48kHz is/was used in
recording studios the last decades .
Thats a bit off the history i don't know why not 16/48 on CD especially
as early resampling was not fantastic ?

Some say that about 20bit 50k should include even the most extraordinary
humans under the best of circumstances.
(  Bob Stuart , Meridians pre MQA ) hence 24/96 is the highest semi
sensible rate to sell must at imo.

Then we have practicality in recordings only close miced recordings get
>20 khz and many mics is not very good and linear at these rates and the
recording engineer is not a bat so he wont know .

And the actual tecordings that contains listenable music ( not
audiophile labels ) these recordings fits well within 16/44.1

I think QUAD was rigth sensible bandwidth limiting is a good thing ,
tweeter resonances and amplifier problems at high frequencies
May actually make hirez audible but not for a good reason. Yes i think
unchecked ultrasounds in the signal can be a problem.
We have all seen the curves for amp distortion they rise fast above
20kHz not many systems are designed for reproduction up to 50kHz .



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Main hifi: Touch + CIA PS +MeridianG68J MeridianHD621 MeridianG98DH 2 x
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sub.
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Misc use: Radio (with battery)
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(spares Touch, SB3, reciever ,controller )
server HP proliant micro server N36L with ClearOS Linux

http://people.xiph.org/~xiphmont/demo/neil-young.html
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