On Fri, Jan 04, 2013, Maia McCormick wrote:
>
> To speak a bit more to the question of whether terms (gender-neutral or
> not) should make reference to "leader" and "follower," and whether this is
> a dynamic that a) does and b) should exist in contradance--
> 
> The lead/follow dynamic exists different amounts for various people, and
> can change depending on night, partner, set, etc. It is rather fluid--most
> good follows lead sometimes as well, for instance, to guide their lead into
> an allemande or something. This is also, as far as I know, the case with
> other dance forms as well. I don't have an awful lot of experience, but I
> know that in waltz, for instance, if the gent is about to run into someone,
> the lady gives a little extra pressure to redirect him and avert the crash.
> So yes, to a large extent, contra is certainly an equal-opportunity dance.
> But so are most partner dances. The amount of equality, the fact that
> sometimes the follow performs a lead-like function, the fact that one may
> back-lead (and easily!) does not diminish the existence of a lead/follow
> dynamic in certain parts of the dance, if executed by two capable dancers.

I'm with Alan.  In waltz, there's a formally designated leader role, it
feels entirely different from following.  And both feel entirely
different from the way lead/follow behavior gets dynamically and
implicitly negotiated in contra, to the point that I think using "leader"
and "follower" as contra terms is way more confusing than edifying.

Side note: I have an online acquaintance, a woman, who wanted to learn
waltz leading (late 1990s, SF peninsula, Starlite Ballroom for those of
you familiar with the area).  She advertised on a Usenet group for
someone willing to take a class with her as a follower.  I volunteered.
Couple of interesting bits:

* People were unwilling to swap partners around with us the way the rest
of the students did

* I got more attention (all positive or neutral, at least to my hearing)
about wearing a skirt than following per se
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