Cis Hinkle says "The Butterfly" is not quite suited for "Fan in the Doorway"  
Anyone know why?  Seems I've danced it to that tune but it has been a few years!
-Joe Micheals
Seattle
On Feb 5, 2014, at 9:02 AM, Joseph Erhard-Hudson wrote:

> I've always thought of Fan in the Doorway by Gene Hubert this way. It takes
> a little mind bending for everyone involved (band, caller, and dancers)
> because it's danced to a 3-part slip jig, but once it gets going it can
> flow like silk.
> 
> Choreography and one caller's notes here:
> http://www.sharedweight.net/pipermail/callers/2010-March/002510.html
> 
> To those notes, I would only add, work beforehand with the band on how to
> get going and how to stop. Your usual 4-beat potatoes aren't going to work.
> Also, some bands will have slip jigs of more than three parts. which can
> work fine, you just can't count on ending the dance after a particular
> phrase in the music. In my experience bands with slip jigs in their
> repertoire are delighted to have a chance to play them for dancers.
> 
> Joseph
> 
> 
> 
> On Wed, Feb 5, 2014 at 6:14 AM, John Sweeney <i...@contrafusion.co.uk>wrote:
> 
>> Hi all,
>> 
>> I am planning some workshops, for festivals here in the UK, with the title
>> "Flow & Glide Contras: Dances with beautiful flow, connectivity and a
>> smooth, satisfying glide."  (Thanks to Sarah VanNorstrand and no doubt many
>> others for the title!)
>> 
>> I have lots of ideas already, but am always interested in finding great
>> dances that I am not familiar with.
>> 
>> If you don't mind sharing, please let me know your favourite ONE or TWO
>> contras that fit this description.
>> 
>> Many thanks.
>> 
>> Happy dancing,
>> John
>> 
>> John Sweeney, Dancer, England j...@modernjive.com 01233 625 362
>> http://www.contrafusion.co.uk for Dancing in Kent
>> 
>> 
>> 
>> 
>> _______________________________________________
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>> 
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