> On Jan 28, 2021, at 10:43 AM, w...@jetbroadband.com wrote:
> 
> Wayne,
> 
> Me thinks you studied the liberal arts at one time before you took
> electronics engineering seriously. 
> 
> You have skillfully jumped, but tied together all your paragraphs in your
> little story . Well Done!
> 
> I ask now; Is there a great American Novelist inside you yearning to be set
> free, but hinder by the knowledge of the fact that there is a K4 project
> that must be finished?

Short answer: I wish :)  Long answer requires libations, etc., and is best 
taken off-list.

Wayne
N6KR


> 
> With sincere best regards,
> 
> Jerry, W1IE
> 
> 
> 
> 
> -----Original Message-----
> From: elecraft-boun...@mailman.qth.net <elecraft-boun...@mailman.qth.net> On
> Behalf Of Wayne Burdick
> Sent: Thursday, January 28, 2021 13:11 PM
> To: Elecraft Reflector <elecraft@mailman.qth.net>
> Subject: [Elecraft] Signals wild...signals caged
> 
> My son is an avid birdwatcher. As his understudy, I've learned the names of
> the birds that hang out in our yard and gather at local wetlands.
> 
> On a recent walk we saw one of our favorites, an American kestrel, a small
> raptor that terrorizes lizards and mice in the foothills on both sides of
> the San Francisco Bay. The bird's coloration is a surprising mix of blue,
> brown, orange, yellow, and white, adorned with an array of black dots.
> 
> Finding a kestrel in the wild is like stumbling upon a rare gem, lying on
> the ground.
> 
> The bird reminded me that when I was a kid, I often hunted for gems of a
> different sort: DX. I was a novice, and in the early 1970s, novices were
> limited to working DX Of The First Kind. CW. 
> 
> Like brightly colored birds, each CW signal arriving from a distant land was
> unique. 
> 
> Several factors were involved. In those days most ops used bugs or straight
> keys, so each operator had an identifiable fist. Rigs were not as stable as
> they are now, yielding timbres with a motley mix of buzz, drift, and chirp.
> Add fading and noise to the mix, and you had no shortage of audible
> intrigue. 
> 
> In fact -- trust me on this one -- RST reports haven't always ended with a
> dependable "9." I once gave out an RST of 332. I'll never forget that poor
> soul's chaotic whoop, best described as a singular blend of yodel and kazoo.
> 
> Over time I became something of a CW pathologist, keenly aware of each
> station's affliction, including my own. These variations were useful. You
> could tell who you'd already worked. If you were a regular on the novice
> bands, you'd even get to know fellow travelers by their frequencies, since
> many, like me, were "rock-bound" -- slaves to a handful of crystals. VFOs
> were starting to make an appearance in novice gear...but see "chirp," above.
> 
> Now, in 2021, the chirp is gone. 
> 
> CW signals still have many distinguishing traits, though. These include
> speed, keying weight, the operator's affectations and favored prosigns, and
> direction-specific propagation anomalies. 
> 
> Here's where we stretch the central metaphor to just about max. 
> 
> If randomly occurring CW signals on our bands are creatures of the wild,
> then...are FT8 stations the occupants of an urban zoo? Don't get me wrong:
> It's a pleasant place, with free tram rides, open 24 hours a day. The
> diversity of species is unprecedented.
> 
> But imagine, on a given day, that you've sampled the zoo's exotic offerings,
> memorized the brochure, bought the t-shirt, and partaken of the sumptuous
> snack bar. What next?
> 
> Take a walk on the wild side. 
> 
> Yank the cord and jump off the tram at an unmarked stop. Hop the fence. Work
> your way down the unpaved trail from the upper mesa to the open savannah,
> then sit on the ten-foot wall and dangle your feet over the edge. 
> 
> Welcome to the ecosystem of beings who are free to roam. They may be
> camouflaged, blending into the background. And if you listen carefully,
> you'll hear a hundred variations on their timeless song...CQ.
> 
> Wayne
> N6KR
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
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