Aesthetics, ideology? I was thinking of Lotfi Zadeh's work when I mentioned 
that - not fur balls.

best

Simon 


On 27 Jun 2012, at 18:04, Timothy Morton wrote:

> Dear Simon,
> 
> OOO objects are far more fuzzy than your metaphysically present fuzz. They 
> are ontologically fuzzy. 
> 
> To say fuzzy things are better than smooth things--this is just aesthetic 
> ideology run mad. 
> 
> Tim
> 
> 
> http://www.ecologywithoutnature.blogspot.com
> 
> On Jun 26, 2012, at 6:34 PM, Ian Bogost <ian.bog...@lcc.gatech.edu> wrote:
> 
>> On Jun 26, 2012, at 3:01 AM, Simon Biggs wrote:
>> 
>>> But Kosuth's chair engaged the simulacra - it addressed conventional 
>>> notions of the real as not sustainable. Kosuth's chair is an equivocal 
>>> chair, a fuzzy chair, all types of chair - and never a chair. It's a 
>>> conundrum, and that was the point.
>> 
>> Kosuth's One and Three Chairs is about language, about semiotics. Like 
>> everything else has been, for so long. The fact that there are chairs, and 
>> there are photographs, and there are words—this is what interests me. The 
>> fact that conceptual artists can play pranks on the rich benefactors of 
>> museums and galleries is not very interesting to me. It's too bad, because 
>> when enacted, One and Three Chairs actually DOES begin to draw our attention 
>> to things in an appealing way. But not because the real is unsustainable. 
>> Rather, because the real is, well, real.
>> 
>>> I admit I've not read much about OOO and am yet to be convinced it is worth 
>>> the effort. I've never been an early adopter - prefer to see the bugs 
>>> ironed out of things, at least for one cycle, before buying the gizmo in 
>>> question (and I'm mean with my money, so most often I never buy).
>> 
>> Harman has been writing under the shingle "object-oriented philosophy" since 
>> 1999. His first systematic take, the book Tool-Being, was published in 2002. 
>> That's a decade ago. Countless other books and articles on and peripheral to 
>> OOO have been published in the intervening time. Like it or not, his work 
>> and that of others has had an impact on many fields, even if particularly in 
>> recent years. 
>> 
>> If you aren't interested, fine. If you don't want to do the work, fine. But 
>> own up to it. Otherwise, it is too tempting to conclude that you wish only 
>> to adopt the ideas that prove popular, that become fungible among the same 
>> communities for the same purposes.
>> 
>>> My initial apprehension of OOO is that it doesn't seek to address the 
>>> ontology of things as things but their relationships with one another.
>> 
>> This is precisely the opposite of the main contention of OOO, which holds 
>> that something is always left over in things, not used up in their 
>> relations. It also addresses, in various and sometimes conflicting ways 
>> among its proponents, how things can possibly relate given this basic fact.  
>> 
>>> The downside of OOO though is that it doesn't seem very fuzzy. I like fuzzy 
>>> things. They are soft. I also don't like black boxes - and OOO, by its 
>>> nature, will create black boxes (which brings us back to Plato - damn!).
>> 
>> OOO rejects the idealism of Plato (it's more like Aristotle, another 
>> tragically unpopular figure)—you won't find universal forms in OOO, nor even 
>> universal properties, or what Whitehead sometimes calls eternal objects. 
>> You're right though that OOO embraces the black box, just as Heidegger and 
>> Latour do, in different ways.
>> 
>> In any case, I think we've really hit on what's really going on here. OOO is 
>> threatening to many popular theories of art, culture, identity, politics, 
>> and so forth because it holds that a toaster is not an octopus. Somehow, we 
>> got so turned around in the last half-century, that we decided that a 
>> toaster not being an octopus is oppressive and dangerous. This is a 
>> fascinating lesson for me and I thank you for bringing it to my attention. 
>> I'll have to consider it further.
>> 
>> Ian
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Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype: 
simonbiggsuk

s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http://www.elmcip.net/ 
http://www.movingtargets.co.uk/

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