--- In FairfieldLife@yahoogroups.com, Bhairitu <noozguru@...> wrote:
>
> On 04/15/2013 10:06 AM, authfriend wrote:
> > --- In FairfieldLife@yahoogroups.com, Bhairitu <noozguru@> wrote:
> > (snip)
> >> And some of my serious composer friends say there were a
> >> number of composers even earlier than that who dared to
> >> break the rules and wrote modernist stuff centuries ago.
> >> I think one might have been a nobleman who liked to write
> >> music and the church didn't want to mess with him for
> >> writing "songs of the devil."
> > You may be thinking of Carlo Gesualdo (late 16th-early
> > 17th century), a nobleman who brutally murdered his
> > wife and her lover *in flagrante* and subsequently went
> > insane.
> >
> > He wrote choral music, both religious and secular
> > (mostly in madrigal form), and some instrumental music
> > as well, that was full of very modern dissonance and
> > modulation:
> >
> > http://www.youtube.com/watch?v=AddtHVNpOKM
> >
> > http://www.youtube.com/watch?v=whx643DqAV8
> >
> > Wikipedia's Gesualdo entry has a wonderful quote from
> > Alduous Huxley about listening to some of the composer's
> > madrigals:
>
(snip quote)
>
> Thanks.  I believe that was the composer my friend was
> referring to.  I see there was one TV movie based on him
> "Death for Five Voices" that I may have seen too.

Yes, by Werner Herzog. A quasi-documentary. There are some
clips from it on YouTube.

> The "church" often banned the use of the flatted 5th 
> or tritone which was referred to as the "devil's interval".

"Diabolus in musica." That it was "banned" is probably
apocryphal, but it was definitely viewed (heard) with
suspicion and generally avoided.



> Modern diesel train engines use it for their horns.


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