At 06:11 PM 6/2/2003, Richard Huggins wrote: >In the end, does any conductor see enough of a given order that he or she is >"thrown" by a new one, or is it merely a matter of reorienting one's mind >and soon no longer an issue?
I suppose I *could* get used to any score order, but why make it more difficult for me to see at a glance what's going on? Writing brass horn-trumpet-trombone-tuba is so standard in classical scores (like flute-oboe-clarinet-bassoon) that I would find anything else jarring.
Aaron.
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