Exactly. What I meant was that it seems that the shortening of the words is
a result of such an impossible task as to name and categorize all pieces of
music into white and black. Even more so if you're dealing with a composer
or group that has created a lot of different pieces of music. It's the U and
E I like. The absence of real words.

Sort of like: "If you want to consider it U that's fine, I'll stick with my
E." There are plenty of letters left for others.

Something in me tells me that the shortening of those descriptive words is
not merely a means of quickening speech.

Liudas


----- Original Message -----
From: "Dennis Bathory-Kitsz" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, January 11, 2004 11:45 PM
Subject: Re: [Finale] Nonpop?


> At 11:01 PM 1/11/04 +0200, Mr. Liudas Motekaitis wrote:
> >I like the german: they have U-Musik and E-Musik. (Unterhaltungsmusik and
> >Ernste Musik, which would roughly translate to "music for entertainment"
and
> >"serious music").
> >
> >The attractive thing is that they shorten it to U-Musik and E-Musik. That
> >takes away nearly all the baggage, everyone knows what you're talking
about,
> >and there is not much room left in those coded words to build a huge
> >argument about how unsuitable the words are.
>
> Quite simple. So...
>
> Autechre = ?
> Duke Ellington = ?
> John Williams = ?
> DJ Spooky = ?
> Antonio Vivaldi = ?
> Charles Mingus = ?
> Gerhard Stabler = ?
> Nino Rota = ?
> Wolfgang Mozart = ?
> Georges Zamfir = ?
> Leonard Bernstein = ?
> Cream = ?
> David Ware = ?
> N.N. und Ahnliche Elemente = ?
> Bernard Herrmann = ?
> Andrew Lloyd Webber = ?
>
> :)
>
> Dennis
>
>
>
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