hello lon, i mean no offense to you either, really, but what do you think about all those real engravers that lost their job? and what about algorithmically composed music? should be banned in favor of flesh-and-bone composers? should i turn off my pc and hire two or three secretarial workers? should i stop using my e-mail program so the post office increments its income?
peace, marcelo > As to Hiro's story about losing his gig because the company got sued by > the union for replacing players with sequenced parts--all I can say is > that they deserved to get sued, and I hope the union won. I'm sorry > you lost work, Hiro, but however great your sequences were, they > couldn't have been as good as having real players, and what about > putting those players out of work? Our union here in LA is currently > picketing the Pantages Theatre for using a "virtual orchestra." I mean > no offense to you, Hiro. I just hate to see musicians losing work to > samplers. Perhaps in the (hopefully very far!) future people will > forget what real instruments sound like. I hope I'm dead and gone by > then, because that will be a very sad day. > > All the best to all, > > Lon > > ******************************************** > Lon Price, Los Angeles > <[EMAIL PROTECTED]> <[EMAIL PROTECTED]> > <http://hometown.aol.com/txstnr/> > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
