On 6 Jul 2005 at 9:59, Gerald Berg wrote:

> Unfortunately (but really I mean fortunately)  I am away a lot for the
> next month (and previous days) -- so I am (and will be) missing some
> discussion points.
> 
> I believe Andrew and David said 12/12 was not the answer but did not
> say why.

12/12 changes all the rules for how time signatures work, since there 
is no such thing as a 1/12th note.

> But Creston has a valid point ( and a logical solution) so I feel duty
> bound to ask for clear arguments as to why it is unsatisfactory.
> 
> Really, it is elegant and straight-forward albeit (most likely)
> doomed.
> 
> 12/8 is in fact 12/12.
> 
> What could be simpler?

I don't understand it, except as treating a time signature as a 
fraction, and coming up with the least common denominator (or is that 
"greatest"?).

Time signatures are categorically not fractions, so this seems a 
completely illogical (and profoundly non-musical) solution.

-- 
David W. Fenton                        http://www.bway.net/~dfenton
David Fenton Associates                http://www.bway.net/~dfassoc

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