Right -- "F6/9#11)" is the most concise non-compound chord notation.
- Darcy
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On 24 Jun 2006, at 8:07 PM, Christopher Smith wrote:
Or F6/9(#11) is another pretty common symbol for that chord.
Definitely not F13(#11), as it is missing the essential Eb.
Christopher
On Jun 24, 2006, at 5:51 PM, Darcy James Argue wrote:
It's functionally a FMA13(#11), with the major seventh omitted
from the voicing. You didn't say what key the piece is in, but
it's probably a I or IV chord.
The clearest nomenclature is a compound chord:
G
—
F
(Make sure you have "under root" selected in Finale.)
You could also write "FMA13(#11, omit 7)" but IMO that's
needlessly verbose.
Cheers,
- Darcy
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On 24 Jun 2006, at 5:37 PM, Jacki Barineau wrote:
Hi, Everyone!
Okay - I've got another jazz chord I'm trying to figure out.
It's basically a G chord in the treble (G-B-D) with an F chord in
the bass (F-A-C). Is this some sort of F13#4? Or what would you
call this?! It definitely has the "F" flavor to it. It is in
the key of G (Em) and the chord before this one is an Em7. The
chord after it is an Fmaj7.
Thanks!
Jacki
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