Le 06-10-02 à 22:01, David W. Fenton a écrit : How so? It is only a problem when Finale uses the wrong enharmonic spelling. If you hit a black key you get either a flat or a sharp, according to the enharmonic mapping in place for the key in question.
Music really doesn't have to be complicated to mix sharps and flats. Maybe it is unusual in baroque and pre-baroque music, but in the music of Today, even tonal, it happens all the time.
I correct enharmonic errors on the first editing pass, the same one where I do beaming and stem direction. It's not what I call a time-saving entry method if you have to correct it afterwards. My note entry in speedy with computer keyboard is always correct the first time I enter music. I dare to believe it saves me time. That's all, really.
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