with the 1st 7 styles you would solve the majority of the cases
You also need octave transposition ones for double bass, in particular.
but then you could simply <cough cough> transpose the cue.
Remember, for cues
you will likely need clef changes even for instruments that do not usually
have clef changes, like Eb Alto Sax, A Clarinet, and Piccolo.
yeah sure, but the majority of the cases would ne quick and dirty.
piccolo can be transposed an octave as well. unless you are using
8ve-treble and 8vb-bass clefs, then you would in fact have to defined
even more styles. it is so widespread to NOT use those little
8-clefs anyways (the greater the reduction the conductor score, the
more they get lost in the deatil in any case) that this is not an
issue for me, i don't use them.
Btw, if you use C scores, this plan fails entirely.
yes too many things that don't work properly or at all; fortunately
it is still widely-accepted and even appreciated when you provide
transposed scores to conductors. the piece i am working on has
massive microtonal glissandi, often arou dthe same pitches, so it
would be (would have been) good for a C-score to better visualize
this.
--
shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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