chuck, you can change the colour and tone of the hidden elements so they aren't as obtrusive. in fact i have set mine to a light brown colour, so i can better visualize how some elements will appear (in B&W) in the parts (that are hidden in the score) without looking at the parts, but light enough to be able to "not see them" when i am looking at the score.

since you do it already in the parts, it would be far more efficient (quicker) to set it once in the score, then hide it in the score and it will appear in all parts. you would only have to set it up once, rather than many times in extracted parts. you can also use a staff list for the measure-assigned symbol and it will only appear in specific parts (and staves in the score). or leave it on all parts (still hidden in the score) and hide it individually in the parts. it depends on how many parts need it which solution would be the best.

Hi jef,

Yes, that's essentially what I do in extracted parts but, with  
those, you never see the unused symbol (at least not in page view).  
I readily admit to personal, emotional irrationality on this issue, but I simply don't like those half tone symbols lurking on the screen in my score. I wish for a more elegant way of doing this, but i can't figure out how it might be implemented.

Chuck




On Aug 5, 2007, at 2:27 AM, shirling & neueweise wrote:


As I have often said, the one thing I can't figure out how to do in the linked parts is to place a "To Coda" symbol in the middle of a MM rest without breaking out one individual measure (5 - 1- 2 for instance, instead of 6 - 2).

assign it in the part to the first measure in the MM rest, hide it in the score / other parts as needed. this can be done very quickly and easily.

pp 37-5 to 37-7 of the manual.

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shirling & neueweise ... new music publishers
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Chuck Israels
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shirling & neueweise ... new music publishers
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