In this situation I use slurs on all the rolled notes except the last, where
you can use a tie.  For correct playback use the sustain pedal (controller
64).  A single slur would not indicate that the rolled notes are to be held
down.

Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com


> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
> Of Chuck Israels
> Sent: Monday, September 03, 2007 5:15 PM
> To: finale@shsu.edu
> Subject: [Finale] Piano notation question
>
>
> Showing a little ignorance here and looking for advice.  I'd like to
> notate a rolled chord with the rhythms of the roll specified -
> happens to be a 16th note triplet before the barline landing on the
> 4th note of the chord on the db with all notes held.  Ties to the
> held notes don't work (except for the last triplet note).  I could
> use slurs as ties, but maybe a slur over the whole figure ending on
> the db is sufficient to indicate the sustained notes.  But this looks
> a little funny, because the chord shows up with all the notes on the
> db, and that makes it look like they are re-struck there which, of
> course, they are not.  It seems ridiculously picky to notate the
> value of each note using voices, or layers, and I may be being overly
> picky even with this notation.  How is this done in piano music.
> Sorry for my ignorance of this notation convention.  All grace notes
> and no rhythm?  What to do to make it work without being overly picky.
>
> Thanks,
>
> Chuck
>
>
>
>
>
>
>
>
> Chuck Israels
> 230 North Garden Terrace
> Bellingham, WA 98225-5836
> phone (360) 671-3402
> fax (360) 676-6055
> www.chuckisraels.com
>
> _______________________________________________
> Finale mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale
>


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