Yes--there are times when even a control freak like me has learned to leave
some things to the players!

Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
----- Original Message ----- 
From: "Chuck Israels" <[EMAIL PROTECTED]>
To: <finale@shsu.edu>
Sent: Tuesday, September 04, 2007 11:09 PM
Subject: Re: [Finale] Piano notation question


> Hi Richard,
>
> There are many (maybe most) circumstances in which I would opt for
> your way of leaving things to the instrumentalist, and I often do.
> In this instance, the "roll" is part of the forward motion of the
> piece, and I want the rhythm I want.
>
> Chuck
>
>
> On Sep 4, 2007, at 6:30 PM, Richard Huggins wrote:
>
> > On Sep 3, 2007, at 7:15 PM, Chuck Israels wrote:
> >
> >>  It seems ridiculously picky to notate the value of each note
> >> using voices, or layers, and I may be being overly picky even with
> >> this notation.  How is this done in piano music.
> >
> >
> > No one addressed this part of your question, but as for me--a
> > pianist of 50+ years--I'd say you are indeed being mighty picky. If
> > you want certain, specific rhythms, seems to me you find a place
> > for them within the beat structure of the measures involved. And
> > then you'll get those "certain, specific rhythms."
> >
> > What you won't get, though, is the musicality of a roll. An
> > artistic pianist can do those in a way that would almost defy
> > capturing them in notation but which would be musical. That's why
> > there's a need for that rolled-chord symbol in the first place.
> >
> > I guess I don't get what it is you're after that beats the
> > randomness, but artistic randomness, of a rolled chord as played by
> > the pianist.
> >
> > --Richard
> >
> >
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>
> Chuck Israels
> 230 North Garden Terrace
> Bellingham, WA 98225-5836
> phone (360) 671-3402
> fax (360) 676-6055
> www.chuckisraels.com
>
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