Yes, getting performers to play/sing what I wrote can be a strenuous
political exercise ("you can't mean THAT!"). A 45" choral piece stretched
a choir (=vocal quartet) director beyond his Mendelssohn to Debbie
Friedman comfort zone--he pointed to an octave skip I wrote and said "they
can't sing that." When I pointed out that the exact same skip appeared in
Handel's "Hallelujah Chorus" he blew smoke of the "how dare you compare
yourself to Handel" variety. If I ever write anything for them that lasts
2 minutes we're really gonna have fun!

Those notes that you see in Mahler scores such as "the F in the trumpet is
NOT a mistake" can be quite telling.

ajr

> I imagine experienced violists have seen low B# on more than a few
> occasions.
>
>
> RBH
>
>
>
>
> Christopher Smith wrote:
>>
>> On 22-Feb-08, at 12:46 PM, shirling & neueweise wrote:
>>>
>>> i did the orchestral parts for a not unknown orchestra in germany,
>>> there was a repeated pattern played 10+ times (can't remember
>>> exactly), the whole orchestra played almost the same rhythm, and all
>>> voices had quite similar but not exact contours on different notes.
>>> low note on the violas was C#, the whole pattern played in first
>>> position.  then, suddenly, the whole orchestra shifts down a semitone
>>> for the final repetition.
>>>
>>> in this final repetition, the composer had written B#, which i felt
>>> made sense in this context, and we talked about it.  you know, new
>>> music + orchestral score = sight reading in performance etc etc.  we
>>> discussed both sides and eventually agreed we would leave it written
>>> as B# -- despite fingering considerations and other things -- because
>>> it was so absolutely clear on paper and to the ear.
>>>
>>> so after the performance, some keener from the viola section sez to
>>> the composer: "yeh you know you wrote a low B# in the viola part."
>>> "yeh," sez composer with eyebrow raised in curiosity, "and?" to which
>>> the violist replies that it was obviously an error so they played C#
>>> instead.
>>
>> AHHHH!!!!!
>>
>> [knocks head against brick wall repeatedly to deaden the pain from
>> hearing that]
>>
>> Christopher
>>
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>>
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