On a purely philosophical plane it doesn't have to be either/or.  But on 
a practical level, it seems that it has to be either/or because as they 
have added and improved higher quality playback, they longstanding bugs 
haven't been resolved.

But I have a sneaking suspicion that they haven't been resolved because 
with the current very old source code base, the long standing bugs 
simply can't be resolved.  So the thought of investors buying the 
company and infusing a lot of money into rewriting the code to bring it 
up to current computing levels is a good one.  On the other hand, the 
amount they're talking about investing might not be sufficient to do the 
job properly.

Only time will tell.

David H. Bailey

On 7/31/2012 4:41 AM, Raymond Horton wrote:
> Why must it be either/or?
>
> Fix the bugs, keep adding notation capability, keep improving
> playback, let it tie my shoes if it wants to.
>
>
> Raymond Horton
> Bass Trombonist, Louisville Orchestra
> Minister of Music, Edwardsville (IN) UMC
> Composer, Arranger
> VISIT US AT rayhortonmusic.com
>
>
> On Tue, Jul 31, 2012 at 1:53 AM, Jonathan Smith <lismoremu...@wanadoo.fr> 
> wrote:
>> +3
>>
>>>
>>>
>>> +2
>>>
>>> On 31/07/2012, at 12:24 AM, Dick Hauser wrote:
>>>
>>>> +1
>>>>
>>>> On Jul 29, 2012, at 10:45 PM, Craig Parmerlee wrote:
>>>>
>>>>> I cannot see myself ever producing a finished audio product within
>>>>> Finale, so I'd rather see them put that effort into fixing the many bugs
>>>>> and annoyances in the basic product.
>>>
>>
>> _______________________________________________
>> Finale mailing list
>> Finale@shsu.edu
>> http://lists.shsu.edu/mailman/listinfo/finale
> _______________________________________________
> Finale mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale
>
>


-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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