Imagine the Rhinegold beginning if the Horn Stands in Bb-F instead of F-Bb. releasing the tumb valve from low Bb to F Never Works As fast As jumping from Low Bb on F-Horn to F on Bb-Horn by pushing the tumb lever. Same with the octave Jump F1-F2 at the beginning of Strauss op.11 Concerto as F1- Bb1 Fingerring means F1 on F Horn with 1 followed by F2 on Bb Horn with 1 (better in tune). Stubbornity can be heard !!!!!! But these Folks do Not realize that. Even they are talented "bügle Players?"
Von meinem iPad gesendet Am 07.06.2011 um 22:16 schrieb Bill Tyler <[email protected]>: > > > --- On Tue, 6/7/11, Dan Phillips <[email protected]> wrote: > > >> Of the 12 subjects that recorded excerpts for me last fall (see >> Multimedia—>European Style Surveys on the IHs website) all 12 played >> everything on the Bb horn except the last two notes of the opening Till solo. > > > Sorry to reply to my own post, but I need to correct this. Obviously, Thomas > Jöbstl, playing a Vienna horn, did not play on the Bb horn :-) > > I've gone back to look at the videos, and see that most of the double horns > in the survey lie in F. > > > > > > > Here's a performance of Strauss 2 performed by Radek Baborak ... He > plays just about the entire piece on the Bb horn, even though it looks like > his horn stands in F. Can't argue with the results, though. > > http://www.youtube.com/watch?v=uZqzU-x9dUc > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
