So how do folks do their "hand adjustments?" . . .
[I guess I should start a new topic for this.]

On Nov 3, 12:47 pm, Robert Krawitz <r...@alum.mit.edu> wrote:
> I had the same problem on the Pilgrim monument.  There are only four
> spots, at the center of each side, where there's a clear view without
> glass and bars getting in the way.  It's fortunate that I have an 8-16
> mm lens; I don't think even a 10 or 11 mm lens would have provided
> enough overlap for a good stitch and a 12 mm lens probably wouldn't
> have been wide enough, period.  I did have to fix some things up by
> hand where the parallax error was too great (the parking lot at the
> bottom had some problems that I had to fix manually, in addition to
> the horizon problem I mentioned earlier).
>
> I actually generally do use JPEGs, and I haven't done TCA correction
> or predefined lens models (which are likely to be accurate only at one
> particular focal length, anyway).  And all too often I do them
> hand-held.  But when I look at my panoramas, I generally don't see a
> lot of TCA problems.  As for RAW vs. JPEG, the 7D does a very good job
> of in-camera processing.  If the light's such that I'm going to have
> serious dynamic range problems, I probably need more than the
> additional one or two stops I'll get from my own RAW processing.  The
> P-town panorama, for example, did have dynamic range problems, but
> simple exposure bracketing and fusion worked very well.

--   I have no choice but to use jpeg on my Nikon CP4500 (Tiff isn't
really a reasonable choice time wise and the camera has no RAW.)

> For this one:
>
> http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1488875261_xzm...
>
> I really did have to use RAW, though (and fix up a lot of sky by hand,
> also).
>
> There is one little trick I sometimes play that I haven't seen
> mentioned anywhere to reduce the aspect ratio and get more foreground
> detail.  With wide angle lenses, the final output is somewhat torpedo
> or barrel shaped due to the projection onto a planar surface.  I make
> a second pass with Hugin, treating the first stage panorama as having
> been shot by a cylindrical lens (like a Spinshot camera) of between 20
> and 35 mm focal length and then re-projecting it as rectilinear, which
> applies a pincushion effect.

--   I'd have to see to understand (my fault not yours.) Perhaps you
should make a tutorial? :-)

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