I guess I feel like I can analyze Joni's singing somewhat, because I feel I am going 
through the
same struggles as she is with the changes in our voices.  Or shed some light on it 
with my 2
cents.  Sooooooooooo as much as I do love Travelogue, and much of Joni's new voice, 
she has a ways
to go in perfecting or learning her best space in the jazzier style.  Really, I think 
it is the
phrasing.  She may not be having as much trouble as we think with the breathing, but 
may actually
be making a conscious choice in her phrasing.  That's just one possibility. And I 
don't know if
that's better or worse than having problems with the breathing.  Cause I'd like to 
think she was
forced to make these choices by limitations, rather than just making poor choices.  I 
actually
think it is a bit of both.  NOT that I think it is all bad.  Remember I had very low 
expectations
for this album and I am very pleased with it - I give it a B, maybe a B+.  So please 
don't make me
run for cover. :-D  But it is not perfect.  Seems I have tried to express this here 
before, but
there I went again anyway! ;-)

This I think Deb, lends itself to your frustration with the "choppy" sound or singing. 
 I think a
lot of people have decent or even good voices, but it is their style, range and 
phrasing that sets
them apart.  I have heard this over the years and I know I heard Linda Ronstadt say 
something
about phrasing being the key to a good singer, many years ago.   

And Deb you are exactly right - the snappier songs work especially well because of her 
phrasing,
no matter what the reasoning or cause.  

However, I love the lushness of the orchestra!  I just wish Joni could/would use her 
voice more to
play more with the orchestra.  That would be great - I think.

Peace,
Susan

NPIMH: Zeus Must Be A Boogie Man

-- dsk <[EMAIL PROTECTED]> wrote:

> That's what bothers me the most, the contrast of her choppy singing and
> downturned phrases  with the flowing stringy sound. Her inability to
> sustain a phrase is especially obvious when listening through
> headphones. It's not a matter of wanting her to sound like she used to
> because I like her lower voice, but why make her limitations so obvious
> by backing it with the lushness of an orchestra?  I think the songs that
> work the best are the snappier jazz ones where the short phrases make
> sense. > 
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