I found that it was \slashedGrace {b8} that caused the whole double time signature thing. I can only assume it is a bug. I still need a acciaccatura though. Any thoughts?
Med vennlig hilsen, Carl-Henrik Buschmann Lektor > 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann <chbuschm...@mac.com>: > > Hi guys, > > I'm trying to learn how to use lilypond to typeset orchestral material. > Handling large projects is fun but good documentation regarding this is hard > to come by. I'm still a lilypond novice and my Google-Fu has let me down, I > need help. > > I'm using my own orchestration which i engraved in Sibelius a while back. > > This is my original sibelius score i.e.: the "ideal": > http://i.imgur.com/fIQJN8v.png <http://i.imgur.com/fIQJN8v.png> > > And this is my lilypond output so far: > http://i.imgur.com/g2OL258.png <http://i.imgur.com/g2OL258.png> > > 2) This is the wierdest thing. Double up of time, clef and tempo, what is on > earth have i done wrong? >
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