Tim,

Sadly the reality is that artists in the other EA countries are
envious of their counterparts in Uganda. Skewed as the law and the
situation may be.

Simon

On 10/08/2010, Tim Schofield <[email protected]> wrote:
> Well Mike, all the time sites like Badru's are used to stifle
> innovation in the creative arts, this country will remain in the back
> woods. My argument is simple, we should take the lead in encouraging
> creative arts, in encouraging innovation. Not simply to say that theft
> of copyright is common place so lets all do it.
>
> If I was a performing artist in Uganda I would move to Kenya, or
> Tanzania, or Rwanda, where my rights are respected.
>
> But I am never going to convince you guys of this. I think the fact is
> I am a creator of copyright material, whereas you are users of
> copyright material and this gives us different perspectives on the
> issue.
>
> On 10/08/2010, Mike Barnard <[email protected]> wrote:
>>
>>
>> On Tue, Aug 10, 2010 at 9:25 AM, Tim Schofield <[email protected]>
>> wrote:
>> >
>> > On 10/08/2010, Mike Barnard <[email protected]> wrote:
>> > >
>> > >
>> > >
>> > > Kenya has got very stringent IPR and Copyright laws, which came about
>> due to
>> > > the growth of their industry, whether artistic or in the engineering
>> field.
>> > > --
>> > > Mike
>> > >
>> >
>> > I believe you have this the wrong way around. Kenya has a strong
>> > artistic industry because they have the laws in place to protect the
>> > rights of the artists, not the other way around.
>> >
>> >
>> >
>> >
>> >
>>
>> I say this and stand by it because I was there, physically when these laws
>> were made, dealt with the riots by kiosk owners whose CD's were set ablaze
>> and them not understanding that what they had done was wrong. They came up
>> as a result of what we are experiencing in Uganda. The laws were NOT there
>> before, they were drafted only after people, like you and I, woke up and
>> lobbied the house to enact laws that protect  their work. This is what we
>> have been *screaming* about here. The industry across the border continued
>> to grow despite the piracy. When it had the muscle to make the noise, it
>> did
>> and laws were put in place.
>>
>> Allow the industry in Uganda to grow as we make *noise* about enacting
>> laws
>> that will protect the works being produced. It makes no sense for us to
>> first stop coming up and implementing brilliant ideas such as Badru's
>> while
>> we wait for a law to be enacted, which may take a long time.
>>
>> Please note that while we may have signed treaties to ensure that certain
>> copyright laws are upheld from a foreign nation, our priority remains, as
>> a
>> sovereign nation, with our laws. If no one from the MPAA comes to Uganda
>> to
>> complain about the 40 movies in 1 CD being sold in Kisementi, no one in
>> Uganda will because it is NOT a law here yet. This is NOT condoning the
>> abuse of ones rights, its just that we do not have it in our laws yet.
>>
>> Tim, I'd like to clarify something, no one is disagreeing with you on IPR
>> and copyrights. What we are trying to point out is this, we do not have
>> any
>> such laws in Uganda that will work like you want them to. We are still
>> developing them. While we develop these laws, we cannot and should not
>> stifle ideas on this basis. We *must* encourage growth of our industry as
>> we
>> work out the laws.
>>
>> I want my ideas and IP to be protected, but I know very well that with our
>> current laws, there is little (much improved from the 1964 act) that will
>> protect me. I *must* continue to have these ideas produced as I and many
>> others lobby for better laws to be enacted.
>>
>>
>>
>>
>> --
>> Mike
>>
>> Of course, you might discount this possibility, but remember that one in
>> a million chances happen 99% of the time.
>> ------------------------------------------------------------
>>
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Simon Mutama
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