Thanks all for a lot of great advice.  It's greatly appreciated.

I've (obviously) been doing a bit of reading.  One luthier's webpage I ran 
across pointed out that 6-course Renaissance music doesn't suffer horribly 
on 7/8-course lutes, but that one should never even think of playing music 
intended for 6-course lute on a 10-course instrument.

My question is:  Why not?    (Assuming the first six courses are tuned 
appropriately.)  And would it be any different if I "accidentally" didn't 
bother to string the lower courses?

I can see how it may not be desirable to go the other way--play X-course 
music on 6-course instruments.  But since my having multiple lutes is not a 
possibility in the near, intermediate, and probably even long-term future, 
I'm trying to find a compromise that'll maximize the music I could play, 
without doing undue violence to the musical text itself.

(Allow a me brief note on why lutes aren't popular in this day and 
age.  Instruments are expensive and fragile.  Repertoire is in a fairly 
unfamiliar idiom.  I was originally put off guitar by the (relative 
non-)complexity of having to choose 650 mm or 640 mm scale length, 
cedar/spruce top, "country" vs. classical, and choice of back/side 
wood.  There's no decent lute tutor that I can find.  The instrument 
doesn't receive airplay or have superstars prancing on stage--hunk, punk, 
or babe, variously.  And, as Segovia is reported to have said, We live in a 
noisy age.)

Tim B.



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