Mathias, you can and may speak for 99.9% of "us", because David's 
prowess is in no way indicative of habits or abilities of the general 
lute population.
I am with you on the first issue, because our first responsibility is 
music itself, and playing from written out music rather than from 
tabulature has not made anyone a better player yet.

As to continuo: it is big mistake to consider it lute music at all, 
because regardless how many lutes it may employ lutes are a priori 
dispensable in it.
RT


> Dear David,
>
> yes, you're right, I shall speak for myself. And sorry, I should have
> been more precise. What I was referring to in particular is playing 
> solo
> pieces. I for one will always prefer tablature when it comes to playing
> solo pieces, on renaissance or baroque lute, no matter how exact or
> appropiate transcription of CNRS or DTÖ or Erbe will be.
>
> As for continuo, I cannot imagine anything else but playing from grand
> staff, of course. And I'll be grateful if there is keyboard realization
> at hand from which I can more easily and quicker see what I should do.
> But that is an entirely different matter. The present issue was about
> transcriptions of existing tablatures.
>
> Would you prefer to play Dowland's Can She Excuse from tablature or 
> from
> transcribed grand staff, David?
>
> Viele Grüße
>
> Mathias
> --
>
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