Roman, what you say about the consonances in the lute overtones is interesting. For those of us less familiar with the characteristics of both lute and guitar overtones, could you elaborate a bit about the differences? Are you saying that the guitar produces more dissonances in its overtone series? Thanks, Ned On May 8, 2011, at 9:49 AM, Roman Turovsky wrote:
> For guitar, and my initial reaction was corroborated by the source. > I also suspect that it would be a lot more pungent on guitar, as the > consonances in the lute overtones > take edge off that, and the piece seemed lacking in substance to me. > > Stuart, keep at it, the enlightenment value of this project is immense. > RT > > > ----- Original Message ----- From: "Andrew Gibbs" > <and...@publicworksoffice.co.uk> > To: "Lute List" <lute@cs.dartmouth.edu> > Sent: Sunday, May 08, 2011 5:31 AM > Subject: [LUTE] Re: a twelve-tone Jigg by Margriet Verbeek > > >> Thanks Stuart - like it! Do you know: did Margriet Verbeek write this >> specifically for lute - or for guitar? >> >> Best >> Andrew >> >> On 8 May 2011, at 10:20, Stuart Walsh wrote: >> >>> On 08/05/2011 07:22, Gilbert Isbin wrote: >>>> A very nice happy composition, well played and the video fits wonderfully >>>> with the music.Sounds great on the lute.! >>>> Gilbert >>>> http://users.telenet.be/gilbert.isbin/contents.html >>> >>> >>> Thanks Gilbert. It's fun to play. And unusual to have twelve-tone music >>> without the angst. >>> >>> And thanks to the demented tit who was going mad on a garden ornament just >>> outside my house a few months ago. >>> >>> >>> Stuart >> >> >> >> To get on or off this list see list information at >> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > >
