No, guitar procuces a lot less overtones.
Hence the "silver sound" of them lutes.
RT
From: "Edward Mast" <nedma...@aol.com>
Roman, what you say about the consonances in the lute overtones is
interesting. For those of us less familiar with the characteristics of
both lute and guitar overtones, could you elaborate a bit about the
differences? Are you saying that the guitar produces more dissonances in
its overtone series?
Thanks, Ned
On May 8, 2011, at 9:49 AM, Roman Turovsky wrote:
For guitar, and my initial reaction was corroborated by the source.
I also suspect that it would be a lot more pungent on guitar, as the
consonances in the lute overtones
take edge off that, and the piece seemed lacking in substance to me.
Stuart, keep at it, the enlightenment value of this project is immense.
RT
----- Original Message ----- From: "Andrew Gibbs"
<and...@publicworksoffice.co.uk>
To: "Lute List" <lute@cs.dartmouth.edu>
Sent: Sunday, May 08, 2011 5:31 AM
Subject: [LUTE] Re: a twelve-tone Jigg by Margriet Verbeek
Thanks Stuart - like it! Do you know: did Margriet Verbeek write this
specifically for lute - or for guitar?
Best
Andrew
On 8 May 2011, at 10:20, Stuart Walsh wrote:
On 08/05/2011 07:22, Gilbert Isbin wrote:
A very nice happy composition, well played and the video fits
wonderfully with the music.Sounds great on the lute.!
Gilbert
http://users.telenet.be/gilbert.isbin/contents.html
Thanks Gilbert. It's fun to play. And unusual to have twelve-tone
music without the angst.
And thanks to the demented tit who was going mad on a garden ornament
just outside my house a few months ago.
Stuart
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
