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Dear Martyn,

 

The enlarged screenshot makes it pretty clear IMO that the word reads "et"
with a faded e-loop.

 



 

>    Indeed I noticed the gallichon tuning, and wrote: "Interestingly one

>    tuning on fol 6 is given as for the 'Calledono' which I presume refers

>    to the gallichon thus once again showing an interchange in usage

>    between the mandora and gallichon - though the tuning given is not one

>    I recognise from other sources".

 

Hm, on fol. 6r I see a gavotte and a somewhat strange scale with ”wrong“
pitch names (suppose it’s a tool for transposing from sight). And on fol. 6v
I see a Schmidt Courent. No charts on fol. 16, 26, 36, 46, 56, 66, 76, 86.
There are alfabeto and tuning instructions on fol. 96, but they are intended
for the guitar, and the tuning is not a new one but a different way of
tuning, i.e. in octaves and fifths (with a mistake in measure 1, as 1a + 3f
equals a major third).

 

On p. 24v seq, the headline that I can see reads “Fundamentales Concentus in
Callizon”, i.e. either “chords in root position” or “basic chords” on the
Callichon. Considering fol. 25r, I prefer the latter.

 

>    Other

>    than body shape, the big difference between the E tuned 5 course

>    mandora and the guitar

 

There are quite a few sources which require mandoras with their 5th courses
in G (the “Brescianello” suites spring to mind). The headline on fol. 48v
seems to imply that the guitar and the mandora were considered different
instruments with identical tunings.

 

Mathias

 

 

 

 

>    --- On Mon, 26/3/12, Mathias RAP:sel <
<mailto:mathias.roe...@t-online.de> mathias.roe...@t-online.de>

>    wrote:

> 

>      From: Mathias RAP:sel < <mailto:mathias.roe...@t-online.de>
mathias.roe...@t-online.de>

>      Subject: [LUTE] Re: Tablature Mandore Guitare

>      To: "'Lute Dmth'" < <mailto:lute@cs.dartmouth.edu>
lute@cs.dartmouth.edu>

>      Date: Monday, 26 March, 2012, 16:38

> 

>    >    The tablature is for guitar or mandora (a 6th course is required

>    on the

>    >    earlier folios). Folio 48r shows the tuning with a 6th course (at

>    nominal G ie a tone

>    >    below the 5th course) so this certainly looks like mandora music.

>    The

>    intervals

>    >    between the highest five courses is identical on both instruments

>    and

>    most of

>    >    the pieces could be played on the 5 course guitar too.

>    Did you note the instructions on fol. 24 seqq? They are obviously

>    intended

>    for the 5c calichon, tuned g - d - Bb - F - C.

>    >    In this context the heading on fol. 48v is very interesting

>    'Accordo

>    >    Chytarra A Mandora' aEUR" whatever this meant to the scribe.

>    As I said, the headline reads: Accordo ChytarA| et MandorA|, meaning

>    "tuning

>    of the guitar and the mandora".

>    Mathias

>    To get on or off this list see list information at

>    [1] <http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html>
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

> 

>    --

> 

> References

> 

>    1.  <http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html>
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

 


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vlink=purple><div class=WordSection1><p class=MsoPlainText>Dear 
Martyn,<o:p></o:p></p><p class=MsoPlainText><o:p>&nbsp;</o:p></p><p 
class=MsoPlainText><span lang=EN-GB>The enlarged screenshot makes it pretty 
clear IMO that the word reads &quot;et&quot; with a faded 
e-loop.<o:p></o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB><o:p>&nbsp;</o:p></span></p><p class=MsoPlainText><img width=1280 
height=1024 id="Grafik_x0020_1" src="cid:image001.png@01CD0C0D.FB3D2910"><span 
lang=EN-GB><o:p></o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB><o:p>&nbsp;</o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB>&gt;    Indeed I noticed the gallichon tuning, and wrote: 
&quot;Interestingly one<o:p></o:p></span></p><p class=MsoPlainText>&gt;    
tuning on fol 6 is given as for the 'Calledono' which I presume refers</p><p 
class=MsoPlainText>&gt;    to the gallichon thus once again showing an 
interchange in usage</p><!
 p class=MsoPlainText>&gt;    between the mandora and gallichon - though the 
tuning given is not one</p><p class=MsoPlainText>&gt;    I recognise from other 
sources&quot;.</p><p class=MsoPlainText><o:p>&nbsp;</o:p></p><p 
class=MsoPlainText><span lang=EN-GB>Hm, on fol. 6r I see a gavotte and a 
somewhat strange scale with &#8221;wrong&#8220; pitch names (suppose it&#8217;s 
a tool for transposing from sight). And on fol. 6v I see a Schmidt Courent. No 
charts on fol. 16, 26, 36, 46, 56, 66, 76, 86. There are alfabeto and tuning 
instructions on fol. 96, but they are intended for the guitar, and the tuning 
is not a new one but a different way of tuning, i.e. in octaves and fifths 
(with a mistake in measure 1, as 1a + 3f equals a major 
third).<o:p></o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB><o:p>&nbsp;</o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB>On p. 24v seq, the headline that I can see reads 
&#8220;Fundamentales Concentus in Callizon&#8221;, i.e. either &#8!
 220;chords in root position&#8221; or &#8220;basic chords&#822!
 1; on the Callichon. Considering fol. 25r, I prefer the 
latter.<o:p></o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB><o:p>&nbsp;</o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB>&gt;    </span>Other</p><p class=MsoPlainText>&gt;    than body 
shape, the big difference between the E tuned 5 course</p><p 
class=MsoPlainText>&gt;    mandora and the guitar<o:p></o:p></p><p 
class=MsoPlainText><o:p>&nbsp;</o:p></p><p class=MsoPlainText><span 
lang=EN-GB>There are quite a few sources which require mandoras with their 
5<sup>th</sup> courses in G (the &#8220;Brescianello&#8221; suites spring to 
mind). The headline on fol. 48v seems to imply that the guitar and the mandora 
were considered different instruments with identical 
tunings.<o:p></o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB><o:p>&nbsp;</o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB>Mathias<o:p></o:p></span></p><p class=MsoPlainText><span 
lang=EN-GB><o:p>&nbsp;</o:p></span></p><p class=MsoPlainText!
 ><o:p>&nbsp;</o:p></p><p class=MsoPlainText><span 
 >style='color:black'><o:p>&nbsp;</o:p></span></p><p 
 >class=MsoPlainText><o:p>&nbsp;</o:p></p><p class=MsoPlainText><span 
 >lang=FR>&gt;    --- On Mon, 26/3/12, Mathias RAP:sel &lt;</span><a 
 >href="mailto:mathias.roe...@t-online.de";><span lang=FR 
 >style='color:windowtext;text-decoration:none'>mathias.roe...@t-online.de</span></a><span
 > lang=FR>&gt;<o:p></o:p></span></p><p class=MsoPlainText>&gt;    wrote:</p><p 
 >class=MsoPlainText>&gt; </p><p class=MsoPlainText>&gt;      From: Mathias 
 >RAP:sel &lt;<a href="mailto:mathias.roe...@t-online.de";><span 
 >style='color:windowtext;text-decoration:none'>mathias.roe...@t-online.de</span></a>&gt;</p><p
 > class=MsoPlainText>&gt;      Subject: [LUTE] Re: Tablature Mandore 
 >Guitare</p><p class=MsoPlainText>&gt;      To: &quot;'Lute Dmth'&quot; &lt;<a 
 >href="mailto:lute@cs.dartmouth.edu";><span 
 >style='color:windowtext;text-decoration:none'>lute@cs.dartmouth.edu</span></a>&gt;</p><p
 > class=MsoPlainText>&gt;  !
     Date: Monday, 26 March, 2012, 16:38</p><p class=MsoPlainText>&gt; <!
 /p><p class=MsoPlainText>&gt;    &gt;    The tablature is for guitar or 
mandora (a 6th course is required</p><p class=MsoPlainText>&gt;    on the</p><p 
class=MsoPlainText>&gt;    &gt;    earlier folios). Folio 48r shows the tuning 
with a 6th course (at</p><p class=MsoPlainText>&gt;    nominal G ie a 
tone</p><p class=MsoPlainText>&gt;    &gt;    below the 5th course) so this 
certainly looks like mandora music.</p><p class=MsoPlainText>&gt;    The</p><p 
class=MsoPlainText>&gt;    intervals</p><p class=MsoPlainText>&gt;    &gt;    
between the highest five courses is identical on both instruments</p><p 
class=MsoPlainText>&gt;    and</p><p class=MsoPlainText>&gt;    most of</p><p 
class=MsoPlainText>&gt;    &gt;    the pieces could be played on the 5 course 
guitar too.</p><p class=MsoPlainText>&gt;    Did you note the instructions on 
fol. 24 seqq? They are obviously</p><p class=MsoPlainText>&gt;    
intended</p><p class=MsoPlainText>&gt;    for the 5c calichon, tuned g - d - Bb 
- !
 F - C.</p><p class=MsoPlainText>&gt;    &gt;    In this context the heading on 
fol. 48v is very interesting</p><p class=MsoPlainText>&gt;    'Accordo</p><p 
class=MsoPlainText>&gt;    &gt;    Chytarra A Mandora' aEUR&quot; whatever this 
meant to the scribe.</p><p class=MsoPlainText>&gt;    As I said, the headline 
reads: Accordo ChytarA| et MandorA|, meaning</p><p class=MsoPlainText>&gt;    
&quot;tuning</p><p class=MsoPlainText>&gt;    of the guitar and the 
mandora&quot;.</p><p class=MsoPlainText>&gt;    Mathias</p><p 
class=MsoPlainText>&gt;    To get on or off this list see list information 
at</p><p class=MsoPlainText>&gt;    [1]<a 
href="http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html";><span 
style='color:windowtext;text-decoration:none'>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html</span></a></p><p
 class=MsoPlainText>&gt; </p><p class=MsoPlainText>&gt;    --</p><p 
class=MsoPlainText>&gt; </p><p class=MsoPlainText>&gt; References</p><p 
class=MsoPlainText>&gt; !
 </p><p class=MsoPlainText>&gt;    1. <a href="http://www.cs.dartmouth.e!
 du/~wbc/lute-admin/index.html"><span 
style='color:windowtext;text-decoration:none'>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html</span></a></p><p
 class=MsoPlainText><o:p>&nbsp;</o:p></p></div></body></html>
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