Just follow the link given in the database ([1]https://mss.slweiss.de/index.php?id=1&type=ms&ms=A-Wn17706&mssABC=A &lang=deu&instr=all) Peter
Mail priva di virus. [2]www.avg.com Il giorno ven 5 giu 2020 alle ore 10:20 Martyn Hodgson <[3]hodgsonmar...@mail.cs.dartmouth.edu> ha scritto: see here [1]A-Wn MusHs 17706 [scribd.png] A-Wn MusHs 17706 Note the tiorba works are copied from the last leaf of the book going forwards M On Friday, 5 June 2020, 08:58:49 BST, Monica Hall <[4]mjlh...@mail.cs.dartmouth.edu> wrote: I was wondering about that as I don't actually have a copy of this particular ms. only the Goess ms. Monica > On 05 June 2020 at 08:45 "[2][5]s.wa...@ntlworld.com" <[3][6]s.wa...@ntlworld.com> wrote: > > It would be very interesting to see what this music looks like. Are there any images online? > > Sent from my Huawei phone > > > -------- Original message -------- > From: Martyn Hodgson <[4][7]hodgsonmar...@mail.cs.dartmouth.edu> > Date: Fri, 5 Jun 2020, 08:21 > To: [5][8]yuval.dvo...@posteo.de, LuteList <[6][9]lute@cs.dartmouth.edu>, Monica Hall <[7][10]mjlh...@tiscali.co.uk>, Roland Hayes <[8][11]rha...@legalaidbuffalo.org> > Subject: [LUTE] Re: Bartolotti music for theorbo > > ?space?-- Dear Roland, Bartolotti's precise dates seem unknown at present but c.1630 - 1682 may be a reasonable estimate. The inclusion of works for lute by Losy (b.1650) and Ginter(b.1661) in the earlier part of this Ms suggests a date around 1680/90 for its compilation. The tiorba was, of course, a widely employed instrument for continuo in this period and, in my view, it's unsurprising that a few pieces for solo instruments by various unidentified tiorba players, as well as famed players such as Bartolotti, shouldn't turn up in collections from time to time. Petyer Steur suggests the lute piece on f.26v (Gigue de Angelin de Rome) is by A M Bartolotii but this may be simply speculation around similar word association. regards, Martyn On Thursday, 4 June 2020, 20:53:14 BST, Roland Hayes <[9][12]rha...@legalaidbuffalo.org> wrote: While the unascribed pieces could by someone else, they surely play and sound like Bartolotti. Is there any other theorbo player from that time that we know of, who could match the style and technique of these pieces? r Get [1]Outlook for Android __________________________________________________________________ From: [1][10][13]lute-...@new-old-mail.cs.dartmouth.edu <[2][11][14]lute-...@new-old-mail.cs.dartmouth.edu> on behalf of Monica Hall <[3][12][15]mjlh...@mail.cs.dartmouth.edu> Sent: Thursday, June 4, 2020 3:10:50 PM To: [4][13][16]yuval.dvo...@posteo.de <[5][14][17]yuval.dvo...@posteo.de>; LuteList <[6][15][18]lute@cs.dartmouth.edu> Subject: [LUTE] Re: Bartolotti music for theorbo Thanks for this. I have the Moscardi edition but he doesn't give any reasons for thinking the pieces are by Bartolotti. Unfortunately with lockdown I can't visit the library to check any other sources but if I do eventually find some evidence I will let you know. Cheers Monica > On 04 June 2020 at 17:03 [7][16][19]yuval.dvo...@posteo.de wrote: > > > Maybe it's worth to take a look on some of the literature? There is: > > Boetticher: RISM B VII, p. 351-352 (rather useless, but he gives a bunch > of literature which I don't know) > Meyer (ed.): Sources Manuscrites en Tablature III/1, S. 121-125 (he > doesn't give any information on the other theorbo pieces, but I > apparently in the lute part of the mansucript there's a piece by > "Angelin de Rome" which Meyer supposed to identify as Bartolotti as > well. And also there you'll find a lot of literature.) > And there's a new edition by Massimo Moscardo: à ¢A. M. Bartolotti, Pià ¨ces > pour thà ©orbe", Paris (SFL) 1995, which could be worth to check! > > Please keep us informed, in fact I'm very curious what you're going to > find on this subject :-) > Yuval > > Am 04.06.2020 17:45 schrieb Monica Hall: > > Thanks Martyn > > That's very helpful. > > Regards > > Monica > >> On 04 June 2020 at 14:35 Martyn Hodgson > >> <[8][17][20]hodgsonmar...@mail.cs.dartmouth.edu> wrote: > >> > >> > >> Dear Monica, > >> No - I don't know if there are any grounds for attributing the > >> other > >> tiorba pieces in this Ms to Bartolotti other than, of course, being > >> adjacent in the same Ms. Incidentally the attribution of the > >> Allemande > >> (Allemanda di Angelo Michiele) is on f.89r. not 92r. > >> The following Corrente with a variatione on 88r to 87v (reversed > >> folios) seems stylistically very close to the Allemanda, as does > >> the > >> concluding Sarabanda with its variatione, so I'd be happy to accept > >> these as part of a suite by the same composer AM. The fact that > >> the > >> earlier Ms pieces for tiorba (ie from 92 to 89) do not have the > >> attribution to AM might suggest they're not by him, but.... > >> regards, > >> Martyn > >> > >> On Thursday, 4 June 2020, 09:56:59 BST, Monica Hall > >> <[9][18][21]mjlh...@mail.cs.dartmouth.edu> wrote: > >> Ms. 17706 in the Austrian National Library in Vienna includes 10 > >> pieces > >> for theorbo usually attributed to Bartolotti. The Allemanda on > >> f.92r is > >> attributed to Angelo Michiele. Does anyone know on what grounds the > >> other nine pieces are attributed to Bartolotti? > >> Thanks > >> Monica > >> -- > >> To get on or off this list see list information at > >> [1][10][19][22]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.htm l > >> > >> -- > >> > >> References > >> > >> 1. 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