Dear Monica,
   Indeed - the Ms may have been copied later than the 1680/90s I
   suggest.  But bear in mind that most of the lute works are from the
   earlier generation such as Pinel (d. 1661) Strobel (d.1669), Hotman
   (also a tiorba player d.1663),  Dufault (d. 1672), Gautier d'Angleterre
   (d. 1652) et al, who were no longer particularly fashionable by the
   late seventeenth/early eighteenth century. So it seems reasonable to me
   that a terminal date around 1680/90 for the compilation of the Ms is a
   decent guess. But others are certainly possible - for example I know
   nothing of the dating of the paper, watermarks etc.....
   regards
   Martyn
   PS Incidentally, are other people receiving multiple copies of these
   email messages?

   On Friday, 5 June 2020, 08:57:47 BST, Monica Hall
   <mjlh...@mail.cs.dartmouth.edu> wrote:
   For the record Bartolotti's Libro primo de chitarra Spagnola is dated
   1640. He must have at least been in his twenties when it was printed -
   so born 1620 or earlier.
   He died before January 1682. In the record books of the Secrétariat de
   la Maison du Roi (Louis XIV) there is an entry in January, 1682
   recording that the possessions of a certain Italian  "Miquelange" were
   assigned to one "Launay, Garde de la Compagnie de Luxemburg, y servant
   depuis neuf ans".
   Assuming that this was Bartolotti, he must have died some time
   previously. Under the French law known as the droit d'aubaine the
   possessions of foreigners who died in France became the property of the
   King to dispose of as he saw fit.  There are no references to
   Bartolotti  after that date.
   Having said that his music and that of Losy and Gintler could have been
   copied any time in the late 17th century or early 18th century. It does
   not have to have been copied during their life times.
   It seems to be assumed that any reference to the name Angelo Michel in
   all its different permutations refers to Bartolotti but it was a very
   common name so open to question...
   We are still no nearer to knowing whether the other pieces in the
   manuscript are by our man. I assume that none of them are concordant
   with those in the Goess ms.
   Cheers
   MOnica
   > On 05 June 2020 at 08:21 Martyn Hodgson
   <[1]hodgsonmar...@mail.cs.dartmouth.edu> wrote:
   >
   >
   >    Dear Roland,
   >    Bartolotti's precise dates seem unknown at present but c.1630 -
   1682
   >    may be a reasonable estimate. The inclusion of works for lute by
   Losy
   >    (b.1650) and Ginter(b.1661) in the earlier part of this Ms
   suggests a
   >    date around 1680/90 for its compilation.
   >    The tiorba was, of course, a widely employed instrument for
   continuo in
   >    this period and, in my view, it's unsurprising that a few pieces
   for
   >    solo instruments by various unidentified tiorba players, as well
   as
   >    famed players such as Bartolotti, shouldn't turn up in collections
   from
   >    time to time.
   >    Petyer Steur suggests the lute piece on f.26v (Gigue de Angelin de
   >    Rome) is by A M Bartolotii but this may be simply speculation
   around
   >    similar word association.
   >    regards,
   >    Martyn
   >
   >    On Thursday, 4 June 2020, 20:53:14 BST, Roland Hayes
   >    <[2]rha...@legalaidbuffalo.org> wrote:
   >      While the unascribed pieces could by someone else, they surely
   play
   >    and
   >      sound like Bartolotti.
   >      Is there any other theorbo player from that time that we know
   of, who
   >      could match the style and technique of these pieces?
   >      r
   >      Get [1]Outlook for Android
   >
   __________________________________________________________________
   >      From: [1][3]lute-...@new-old-mail.cs.dartmouth.edu
   >      <[2][4]lute-...@new-old-mail.cs.dartmouth.edu> on behalf of
   Monica Hall
   >      <[3][5]mjlh...@mail.cs.dartmouth.edu>
   >      Sent: Thursday, June 4, 2020 3:10:50 PM
   >      To: [4][6]yuval.dvo...@posteo.de <[5][7]yuval.dvo...@posteo.de>;
   LuteList
   >      <[6][8]lute@cs.dartmouth.edu>
   >      Subject: [LUTE] Re: Bartolotti music for theorbo
   >      Thanks for this.
   >      I have the Moscardi edition but he doesn't give any reasons for
   >      thinking the pieces are by Bartolotti.
   >      Unfortunately with lockdown I can't visit the library to check
   any
   >      other sources but if I do eventually find some evidence I will
   let
   >    you
   >      know.
   >      Cheers
   >      Monica
   >      > On 04 June 2020 at 17:03 [7][9]yuval.dvo...@posteo.de wrote:
   >      >
   >      >
   >      > Maybe it's worth to take a look on some of the literature?
   There
   >    is:
   >      >
   >      > Boetticher: RISM B VII, p. 351-352 (rather useless, but he
   gives a
   >      bunch
   >      > of literature which I don't know)
   >      > Meyer (ed.): Sources Manuscrites en Tablature III/1, S.
   121-125 (he
   >      > doesn't give any information on the other theorbo pieces, but
   I
   >      > apparently in the lute part of the mansucript there's a piece
   by
   >      > "Angelin de Rome" which Meyer supposed to identify as
   Bartolotti as
   >      > well. And also there you'll find a lot of literature.)
   >      > And there's a new edition by Massimo Moscardo: âA. M.
   Bartolotti,
   >      Pià ¨ces
   >      > pour thà ©orbe", Paris (SFL) 1995, which could be worth to
   check!
   >      >
   >      > Please keep us informed, in fact I'm very curious what you're
   going
   >      to
   >      > find on this subject :-)
   >      > Yuval
   >      >
   >      > Am 04.06.2020 17:45 schrieb Monica Hall:
   >      > > Thanks Martyn
   >      > > That's very helpful.
   >      > > Regards
   >      > > Monica
   >      > >> On 04 June 2020 at 14:35 Martyn Hodgson
   >      > >> <[8][10]hodgsonmar...@mail.cs.dartmouth.edu> wrote:
   >      > >>
   >      > >>
   >      > >>    Dear Monica,
   >      > >>    No - I don't know if there are any grounds for
   attributing
   >    the
   >      > >> other
   >      > >>    tiorba pieces in this Ms to Bartolotti other than, of
   course,
   >      being
   >      > >>    adjacent in the same Ms. Incidentally the attribution of
   the
   >      > >> Allemande
   >      > >>    (Allemanda di Angelo Michiele) is on f.89r. not 92r.
   >      > >>    The following Corrente with a variatione on 88r to 87v
   >      (reversed
   >      > >>    folios) seems stylistically very close to the Allemanda,
   as
   >      does
   >      > >> the
   >      > >>    concluding Sarabanda with its variatione, so I'd be
   happy to
   >      accept
   >      > >>    these as part of a suite by the same composer AM.  The
   fact
   >      that
   >      > >> the
   >      > >>    earlier Ms pieces for tiorba (ie from 92 to 89) do not
   have
   >    the
   >      > >>    attribution to AM might suggest they're not by him,
   but....
   >      > >>    regards,
   >      > >>    Martyn
   >      > >>
   >      > >>    On Thursday, 4 June 2020, 09:56:59 BST, Monica Hall
   >      > >>    <[9][11]mjlh...@mail.cs.dartmouth.edu> wrote:
   >      > >>    Ms. 17706 in the Austrian National Library in Vienna
   includes
   >      10
   >      > >> pieces
   >      > >>    for theorbo usually attributed to Bartolotti. The
   Allemanda
   >    on
   >      > >> f.92r is
   >      > >>    attributed to Angelo Michiele. Does anyone know on what
   >    grounds
   >      the
   >      > >>    other nine pieces are attributed to Bartolotti?
   >      > >>    Thanks
   >      > >>    Monica
   >      > >>    --
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   >    4. mailto:[20]yuval.dvo...@posteo.de
   >    5. mailto:[21]yuval.dvo...@posteo.de
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References

   1. mailto:hodgsonmar...@mail.cs.dartmouth.edu
   2. mailto:rha...@legalaidbuffalo.org
   3. mailto:lute-...@new-old-mail.cs.dartmouth.edu
   4. mailto:lute-...@new-old-mail.cs.dartmouth.edu
   5. mailto:mjlh...@mail.cs.dartmouth.edu
   6. mailto:yuval.dvo...@posteo.de
   7. mailto:yuval.dvo...@posteo.de
   8. mailto:lute@cs.dartmouth.edu
   9. mailto:yuval.dvo...@posteo.de
  10. mailto:hodgsonmar...@mail.cs.dartmouth.edu
  11. mailto:mjlh...@mail.cs.dartmouth.edu
  12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  14. mailto:i...@legalaidbuffalo.org
  15. https://aka.ms/ghei36
  16. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  17. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  18. mailto:lute-...@new-old-mail.cs.dartmouth.edu
  19. mailto:mjlh...@mail.cs.dartmouth.edu
  20. mailto:yuval.dvo...@posteo.de
  21. mailto:yuval.dvo...@posteo.de
  22. mailto:lute@cs.dartmouth.edu
  23. mailto:yuval.dvo...@posteo.de
  24. mailto:hodgsonmar...@mail.cs.dartmouth.edu
  25. mailto:mjlh...@mail.cs.dartmouth.edu
  26. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  27. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  28. mailto:i...@legalaidbuffalo.org
  29. https://aka.ms/ghei36
  30. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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