I looked at the pitch notation of Jubilate Deo. I think you are right.
Those red ciphers are used in same places where the second choir appears.
Arthur Ness kirjoitti 24.8.2020 klo 1.12:
Those canzonas, etc. by Gabrieli et al. are often for two choirs. So
the colors might differentiate the two You could check by looking at
the pieces in their original pitch notation (many modern editions;
IMSLP???). Would the player vary his touch to differentiae the two?
Methinks you should indicate the red ciphers in your transcription.
>r r< [>r = red ciphers]
Someone (Petrucci??? or Spanish?) published tablatures with single line
in red. That was for the voice to sing to the lute. Both reading from
the tablature!
-----Original Message-----
From: Sarge Gerbode <sa...@gerbode.net>
Cc: lute net <lute@cs.dartmouth.edu>; LSA President
<lutesocietyamericapresid...@gmail.com>
Sent: Sun, Aug 23, 2020 1:22 pm
Subject: [LUTE] Red notes in Eysert
After putting out the first 50 pages of the Eysert Lute Book, I realize
that I have ignored the red notes, figuring that they were faded ink or
a meaningless idiosyncrasy of the scribe. But now I am wondering if
they do, in fact, actually mean something. fronimo can do red notes,
so... Anybody have any thoughts about this?
--Sarge
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