Bravo! I tried looking for the Klima inventory but it seems to be lost among my papers. -----Original Message----- From: Jussi-Pekka Lajunen <jlaju...@gmail.com> To: lute@cs.dartmouth.edu Sent: Mon, Aug 24, 2020 11:53 am Subject: [LUTE] Re: Red notes in Eysert I wrote in my earlier message that "The chords in those parts seem to differ from the harmony of the original pieces." I was thinking the intabulation of Quem vidistis when I wrote that. Now it makes sense. In that particular piece the red ink probably indicates a lute tuned a whole tone lower. magnus andersson kirjoitti 24.8.2020 klo 11.21: > Dear all, > As one can see, none of the dance pieces are written with two different > types of ink. > I initially thought that they indicate a different tuned instrument, as > in > Hassler à ´s "Omnes Gentes", 9v. > Bar 8. > 2nd Choir sings alone, ink goes red. > This is for a lute tuned a whole tone lower than the lute in "normal" > ink. > But, looking at the piece "Lieto Godea" by Gabrieli, on 80v. the ink > just indicates a different > choir and not a different tuned instrument. Perhaps Michael Eysertt > played this music > with a student friend, reading from the same page? As the duets later > in the book show, > where the second parts are written upside down, it is clear that the > book was used by two lutenists to some extent. > Best, > Magnus > To get on or off this list see list information at [1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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