In Eysert or the Linzer Lautenbuch in some pieces whole bars or groups of bars
are in red - very strange.
Perhaps we can find something in:
Josef Klima, Das Lautenbuch des Michael Eysert, Norimbergensis (vor 1600): das
"Linzer Lautenbuch" : Original im Oberösterreichischen Landesarchiv :
Themenverzeichnis
Wiener Lautenarchiv
Publisher J. Klima, 1977
Unfortunately this is not available here at the university library nor at JSTOR:
Rainer
Am 24.08.2020 um 01:50 schrieb Leonard Williams:
In Mudarra's third book of Tres Libros there are a couple of pieces
where he picks out the vocal line with apostrophes in the tablature.
Could the Eysert red notes be similar in intent? (Would the player be
singing, or might the singer be a tab reader?)
Leonard Williams
-----Original Message-----
From: Jussi-Pekka Lajunen <jlaju...@gmail.com>
To: lute@cs.dartmouth.edu
Sent: Sun, Aug 23, 2020 6:04 pm
Subject: [LUTE] Re: Red notes in Eysert
Maybe they are used to show where the intabulation does not follow the
original vocal model? The chords in those parts seem to differ from the
harmony of the original pieces.
Sarge Gerbode kirjoitti 23.8.2020 klo 20.22:
> After putting out the first 50 pages of the Eysert Lute Book, I
> realize that I have ignored the red notes, figuring that they were
> faded ink or a meaningless idiosyncrasy of the scribe. But now I am
> wondering if they do, in fact, actually mean something. fronimo can
do
> red notes, so... Anybody have any thoughts about this?
>
> --Sarge
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