Actually, there's voice feedback that they've worked on over a couple of years, 
apparently. I was almost one of the testers and it literally came down to a 
choice between the RADAR and Pro Tools while a RADAR demo system was being 
loaded onto a truck to be delivered to the studio. Anyway, there's still always 
that option for the future. PT is, of course, a completely different animal and 
serves a different purpose and transferring sessions from RADAR to Pro Tools 
continues to be a tedious prospect. Anyway…
On May 30, 2010, at 1:49 PM, Bryan Smart wrote:

> In a lot of ways, the Radar should be just accessible out of the box. Not in 
> terms that it will speak to you, but just for the fact that it has a physical 
> control for just about every function. It isn't a full DAW, but is mainly 
> just a multitrack digital recorder. The really popular thing about the Radar 
> is that, because of all of the physical controls, it is also a magnificent 
> machine for editing. I don't mean a cut and paste here and there, but, if you 
> have a project where you must slice it up in to many tiny pieces, and 
> reassemble all of those pieces in a different way, or manually edit timing 
> mistakes, and you've memorized all of the shortcut commands, then you can 
> edit at a speed that someone working with a mouse would never be able to 
> match. Oh, if only there were a full DAW like that. However, the mind 
> boggling amount of keyboard-based editing support from Pro Tools isn't too 
> far away from that goal. Pro Tools keyboard support is way deeper than even 
> highly keyboard-focused DAWs like Sonar and Logic.
> 
> Bryan
> 
> -----Original Message-----
> From: macvisionaries@googlegroups.com 
> [mailto:macvisionar...@googlegroups.com] On Behalf Of Slau Halatyn
> Sent: Friday, May 28, 2010 1:33 PM
> To: macvisionaries@googlegroups.com
> Subject: Re: any news on pro tools?
> 
> Hi Frank,
> 
> Yes, from what I understand, IZ Technologies has worked with a few blind 
> individuals to make the RADAR accessible. For those who don't know, the RADAR 
> was conceived as a replacement for analog multitrack recorders. It is widely 
> regarded in the audio industry as being perhaps the best sounding digital 
> recorder in terms of it's analog to digital conversion. You can contact them 
> directly to get more information regarding accessibility.
> 
> HTH
> 
> Slau
> 
> On May 28, 2010, at 12:35 PM, Frank Carmickle wrote:
> 
>> Hi Slau
>> 
>> On May 28, 2010, at 11:21 AM, Slau Halatyn wrote:
>> 
>>> Hey Frank,
>>> 
>>> I had the same Otari remote. Physical switches are nice but not really 
>>> practical these days unless you're tracking to a RADAR which, by the way, 
>>> is accessible.
>>> 
>> I was going to respond to you off list about this but I thought maybe 
>> someone else might want to know about this as well.  I am very interested in 
>> accessibility of the radar.  I have looked around on the web on many 
>> occasions and have found nothing.  Please let me know how I can find out 
>> more.
>> 
>>> Anyway, when tracking live bands, one would simply arm all the tracks with 
>>> one keyboard command so it's not really an issue. Further, a control 
>>> surface would simplify things to a large degree, for what it's worth.
>>> 
>> One keyboard command works for me.
>> 
>>> Level metering is via a numeric value that can toggle between no peak hold, 
>>> 3 second peak hold and infinite peak hold with a clip indicator that can be 
>>> persistent if desired.
>>> 
>> Very good.
>> 
>> Thanks again
>> --FC
>> 
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