Im with Erik here.

I'm sure the Pope doesnt "dash little children against rocks".

We all have different tastes and I am glad of it.

I have enjoyed Horror films of all types since i was 4 years old, and
watched more than most, from classics to cannibal Holocaust.

Strangely or not I've also been a strict vegetarian for 21 years.

Never beaten anyone up.

Anyone who knows me, knows I wouldnt hurt a fly.

BUT I do admit, i enjoy films that are hard to watch, not sure why.... maybe
ask a GOYA fan what they see in his works.

Death and Violence has been a mainstay of all artforms for a long time, and
I don't think its going anywhere..

Thanks for looking,

Ari

--------- Original Message --------
From: Erik <[EMAIL PROTECTED]>
To: MoPo-L@LISTSERV.AMERICAN.EDU <MoPo-L@LISTSERV.AMERICAN.EDU>
Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
Date: 18/01/2006 13:05

>
> People watch horror films the same reason some people ride roller
coasters,
> or skydive, or watch a sappy tearjerker: it gives them an emotional
stimulus
> they enjoy receiving. It's not for everyone.
>
> Tastes are different, and &quot;positive contributions&quot; may be one
thing to you
> and another to I. I'll take Tobe Hooper's Texas Chainsaw Massacre over
> Citizen Kane any day of the week. Re-Animator trounces Gone With the Wind
in
> my house. Am I supposed to feel somewhat less of a movie fan because of my
> tastes in cinema? Is the fact that I own Cannibal Holocaust supposed to
make
> me a sick, depraved prevert, regardless of how &quot;normal&quot; my life
is?
> I think not. What floats your boat may not work for me, bunky. Such is the
> beauty of choice.
>
> Cheers,
> Erik
>
>
> ----- Original Message -----
> From: &quot;JOHN REID Vintage Movie Memorabilia&quot;
&lt;[EMAIL PROTECTED]&gt;
> To: &lt;MoPo-L@LISTSERV.AMERICAN.EDU&gt;
> Sent: Tuesday, January 17, 2006 9:03 PM
> Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
>
>
> &gt;I have never been able to understand the fascination with extreme
horror
> &gt; films or the motivation of those who make them. Perhaps it is just
the
> &gt; cheap
> &gt; thrill or a perverted form of shock value but it is all a mystery to
me. I
> &gt; believe that, despite what some sociologists might claim, there is a
> &gt; direct
> &gt; correlation between violence in movies and the many violent and
horrific
> &gt; crimes that seem to occur daily. I guess those who make these films
will
> &gt; make money from them but it is a pity that they cannot direct their
> &gt; talents
> &gt; into making films that can make a positive contribution.
> &gt;
> &gt;
> &gt; JOHN REID VINTAGE MOVIE MEMORABILIA
> &gt; PO Box 92
> &gt; Palm Beach
> &gt; Qld 4221
> &gt; Australia
> &gt;
> &gt; Website: www.moviemem.com
> &gt; ----- Original Message -----
> &gt; From: &quot;Phil Edwards Cinema Arts&quot;
&lt;[EMAIL PROTECTED]&gt;
> &gt; To: &lt;MoPo-L@LISTSERV.AMERICAN.EDU&gt;
> &gt; Sent: Wednesday, January 18, 2006 11:01 AM
> &gt; Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
> &gt;
> &gt;
> &gt;&gt; Erik is correct of course, most most notably in his last two
paras of
> &gt;&gt; his post.
> &gt;&gt;
> &gt;&gt; I probably won't see HOSTEL unless it's as  a freebie on DVD down
the
> &gt;&gt; track.
> &gt;&gt;
> &gt;&gt; I haven't bothered to see remakes of DAWN OF THE DEAD or TCM
either.
> &gt;&gt; It's a matter of choice. I can think of a dozen movies that I
would
> &gt;&gt; choose head of eitehr of these to watch given the amount of fre
rtime I
> &gt;&gt; have to watch movies these days.
> &gt;&gt;
> &gt;&gt; But it has nothing to do with content, although perhaps subject
matter
> &gt;&gt; is an issue in making a choice, preferring an &quot;emotional
adrenalin rush&quot;
> &gt;&gt; to a more &quot;visceral adrenalin rush&quot;. I like films that
disturb me
> &gt;&gt; emotionmally and promote thought about &quot;difficult&quot;
emotions over films
> &gt;&gt; that really just make me choke with a  gag reflex....
> &gt;&gt;
> &gt;&gt; but.... in past there were films like NOTLD DEAD, DAWN OF THE
DEAD,
> &gt;&gt; TEXAS CHAINSAW MASSACRE, HALLOWEEN, NIKGHTMARE ON ELM STREET,
etc,
> &gt;&gt; etc... and they all received similar commenatry at the time of
their
> &gt;&gt; release as films like HOSTEL and SAW  receive today.
> &gt;&gt;
> &gt;&gt; I'm re-reading David Skal's excellent book THE MONSTER SHOW....
> &gt;&gt; essential reading for serious horror fans as are all of David's
> &gt;&gt; books.... and guess what? The contemporary 1932 critical quotes
to
> &gt;&gt; FREAKS and MURDERS IN THE RUE MORGUE could almost be identical,
just by
> &gt;&gt; replacing 'FEAKS' with 'HOSTEL'.
> &gt;&gt;
> &gt;&gt; So much of this stuff has to do with changing sensibilities and
the need
> &gt;&gt; every few years for film makers to &quot;revolt&quot; against the
kind of creeping
> &gt;&gt; conservatism that permeates through politics and society and into
> &gt;&gt; popular arts (like film). Why do you think American independent
film
> &gt;&gt; makers did such a huge cage rattel in the late 1960s, apart from
> &gt;&gt; protesting another commercially-driven war?
> &gt;&gt;
> &gt;&gt; BROKEBACK MOUNTAIN and HOSTEL are likely coming out of the same
school
> &gt;&gt; in some ways... the school of WAKE-UP film making. They may
achieve a
> &gt;&gt; different aesthetic and through different means, but at least
they are
> &gt;&gt; honest in their (quite diverse) intentions/methods, unlike
something
> &gt;&gt; like THE PASSION, which was a gorehound movie masquerading as an
> &gt;&gt; uplifting spiritual experience.
> &gt;&gt;
> &gt;&gt; Phil
> &gt;&gt;
> &gt;&gt;
> &gt;&gt;
> &gt;&gt; Erik wrote:
> &gt;&gt;
> &gt;&gt;&gt; I was in attendance at a screening with Eli Roth in Texas not
to long
> &gt;&gt;&gt; ago, and while I didn't care for Hostel (or Roth's work in
general) I
> &gt;&gt;&gt; for one am thankful that hard-core (not in the pornographic
sense that
> &gt;&gt;&gt; many attatch to the word) horror is making a comeback.
> &gt;&gt;&gt;
> &gt;&gt;&gt; I cut my teeth on the Golden Age of Slasher Films during the
late 70's
> &gt;&gt;&gt; to the mid 80's and as of late, the genre has become so PC,
> &gt;&gt;&gt; watered-down and weak-kneed by catering to the PG-13
teeny-bopper
> &gt;&gt;&gt; crowd (as the recent glut of crap with Kevin Williamson's
name
> &gt;&gt;&gt; attached to it attests) that I thank my bloody stars that a
film like
> &gt;&gt;&gt; Hostel is even seeing the light of day, much less getting
national
> &gt;&gt;&gt; distribution. This is nothing more then a drive-in flick at
best, and
> &gt;&gt;&gt; it's #1 opening was a welcome sight to this ol' gorehound's
jaded
> &gt;&gt;&gt; retinas.
> &gt;&gt;&gt;
> &gt;&gt;&gt; I'm not delving into the &quot;bad movies/bad tv debate&quot;
as it's pointless
> &gt;&gt;&gt; here. I'm outnumbered and will surely get trounced by those
with more
> &gt;&gt;&gt; time (and by those much wordier then I) to make their case.
> &gt;&gt;&gt;
> &gt;&gt;&gt; I'm also thankful *I* am the one deciding what I watch, and
not
> &gt;&gt;&gt; someone who thinks *they* know what's good or bad.
> &gt;&gt;&gt; If it's offensive don't watch.
> &gt;&gt;&gt;
> &gt;&gt;&gt; Cheers,
> &gt;&gt;&gt; Erik
> &gt;&gt;&gt;
> &gt;&gt;&gt;
> &gt;&gt;&gt;
> &gt;&gt;&gt; Visit the MoPo Mailing List Web Site at www.filmfan.com
> &gt;&gt;&gt;
> &gt;&gt;&gt;
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