Frankly I don't think provenance is much of a concern, I think the only
thing that truly matters is if it is genuine or not....I couldn't tell
you where I got 95 percent of my posters...and that's including my long
sought-after holy grail - all I know it came from some guy in
California....I have bought on ebay, traded, purchased from small
printed ads in MCW, the internet, brick and mortar stores, my, god my
head hurts just trying to think where my last poster came from.  When it
comes down to it, what matters more, did it come from Ron or Todd or Joe
Schmoe or is it the real McCoy?  I mean I have a lobby card that was in
the Ramone collection and really what proof do I have of that besides
the auction house told me it was...big deal I wanted the card, it's
genuine, that's all I care about, the rest is, in my opinion hearsay.

 

If you bought a piece at auction and it turns out to be fake, you deal
with the auction house and that's it, then you keep your eyes open a
little bit wider the next time you seek a piece to add to your
collection.  

 

 

 

________________________________

From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of
Steven F. Poole
Sent: Monday, October 12, 2009 1:01 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Fw: [MOPO] Provenance...............

 

Bruce and all-

    When its all said and done, I guess the bottom line of the whole
auction format does not allow for ME the buyer to know who YOU the
consignor are (unless explicitely stated in the auction description who
the consignor is).

     Here was my scenaro in a nutshell:    I made a purchase of a
Universal lobby card in a major auction at about a high bid of $1000
last spring ('09).   I know that that dollar amount in value is peanuts
compared to some other Universal pieces but after the fake Universal
scandal broke, I got a little bit concerned about the card I had from
the auction from just a few months ago and called the auction house to
ask where it came from.   I was simply told it was from a "reputable
collector" and nothing more would be revealed by the auction house rep.
in the conversation.  So, I have no knowledge of where this card came
from except the auction house sold it to me.   For those who might be
proactive in the fallout of this whole fake issue, this is a real dead
end in trying to maintain as certain as humanly possible authenticity of
an item purchased.

 

   Another example.....Recently I had a call from an individual with
whom I had been involved in a trade for some material.    The piece that
this individual had was a horror piece that they had a question about
concerning authenticity.   We went back to the person that I had
received it from and they were able to verify where they had purchased
it from earlier which satisfied my trading partner who is the current
owner of the piece.    Total disclosure and following the links of the
chain of ownership helped to calm the concerns of the person who
currently owns the piece.

I guess that is what I was seeking in my concerns regarding the item
that I had "won" from the auction house.

 

    Steve

 

  

        ----- Original Message ----- 

        From: Bruce Hershenson <mailto:brucehershen...@gmail.com>  

        To: Steven F. Poole <mailto:stand...@ll.net>  

        Cc: MoPo-L@listserv.american.edu 

        Sent: Monday, October 12, 2009 5:23 AM

        Subject: Re: [MOPO] Fw: [MOPO] Provenance...............

         

        Steven

         

        You have asked this in kind of a confusing way, but I think I am
getting your point.

         

        1) Even though they won't implicitly admit it (for unfathomable
reasons) it is clear that several leading auctions and dealers sold
these fakes (presumedly unknowing) as originals, and at least one
indirectly states they have refunded the buyers they inadvertantly
duped.

         

        2) They surely have a record of who consigned what, so they know
exactly who consigned each and every fake they have refunded.

        3) Therefore, they really absolutely SHOULD contact the buyers
of any pieces that were also consigned by those same individuals, to
alert the buyers that they MAY have purchased a fake, and that they
should have their purchased checked by a talented professional,
especially if they have any doubts themselves.

         

        Could some of the consignors of the fakes have acquired them
second hand or third hand and have only consigned the one fake, and all
other items from that consignor were real? Sure, but until the fakes
consigned by those individuals are identified, extra precautions must be
taken, or this disease will continue to plague our hobby for years to
come, as these so-called "buried" fakes keep re-surfacing.

         

        I take Steven's point to be that the auctions should be studying
their consignment records and notifiying buyers of items consigned by
those who also consigned fakes, or at least letting them know that the
item came from a consignor who also consigned one or more known fakes if
the purchaser inquires, as Steven did (of course, they don't have to
name the consignor, just reveal the vital info that they also consigned
one or more known fakes).

         

        Do I think the auction houses and dealers who sold fakes will do
this? I don't know, but I do know that this is a great opportunity for
them to step up to the plate and show exactl why they deserve those
hefty 20% buyers premiums all these years, and to take a real leadership
role in removing this awful taint from our hobby.

         

        Bruce

        On Mon, Oct 12, 2009 at 3:13 AM, Steven F. Poole
<stand...@ll.net> wrote:

        James-

           Its not that I would want to go to the consignor to ask for
money back.....what I really would like to know on a questionable item
is the "chain" that it came from.   If one of the "alleged masterminds"
of the Universal Horror Scandal was the consignor, I would think that is
cause for alarm.   Also, if it came from someone who is reputable, that
would be a reassurance (unless, of course, the donsignor obtained it
from one of the "alleged masterminds").     

           Guess there really is no way to be assured on this issue
except having someone you trust examine it.    It just seems the auction
houses / dealers have the upper hand in this as they hold the key to at
least begin a provenance check and the buyer does not have the key to
fit that lock.

                ----- Original Message ----- 

                From: James Richard <mailto:jrl...@mediabearonline.com>


                To: Steven F. Poole <mailto:stand...@ll.net>  

                Cc: MoPo-L@LISTSERV.AMERICAN.EDU 

                Sent: Monday, October 12, 2009 2:52 AM

                Subject: Re: [MOPO] Fw: [MOPO] Provenance...............

                 

                Steven,
                
                Yes. But even if the seller/auction house did reveal the
consigner or name-provenance of the item you purchased, for practical
purposes your only recourse if you are unhappy with the item is to
return it to the seller/auction house you bought it from and get your
money back from them. The fact that the seller/auction house said they
had the item on consignment from say, Brad Pitt, does not really entitle
you to go to directly to Brad Pitt and ask for your money back. Brad did
not sell the item to you -- the seller/auction house did. That's the
whole point of consigning something to a seller or auction house.
                
                Sure, if you wanted to pay for it, a lawyer could
probably make the argument that by consigning the item to the
seller/auction house that Brad Pitt was somehow responsible in a vague
kind of "implied warranty" fashion -- some lawyers will argue any
position no matter how tenuous -- but I wouldn't count on winning that
one in court. Selling individual used collectible items "as is" (which
is essentially what we doing here) is not the same thing as the Ford
Motor Company manufacturing millions of automobiles and selling them
through a network on independent franchised dealerships.
                
                In lieu of some kind of convincing third-party
authentication opinion certificate, I think you will start seeing
sellers and auction houses putting aside this traditional
"confidentiality" business and clearly stating provenances and
consigners on the higher-priced items. In other fields of collecting,
such as comic books, if an item is from a well-known collector's horde,
that provenance is almost always mentioned by the seller -- it adds
cachet to the item and will often significantly increase its selling
price.
                
                Personally, I never really did understand why "consigner
confidentiality" was such a big deal in the movie poster field, but
Bruce probably has a viable theory that ties in with the push 'em ups
concept... :)
                
                -- JR
                
                Steven F. Poole wrote: 

                 

                ----- Original Message ----- 

                From: Steven F. Poole <mailto:stand...@ll.net>  

                To: Richard Halegua Comic Art & Movie Posters
<mailto:sa...@comic-art.com>  

                Sent: Monday, October 12, 2009 12:06 AM

                Subject: Re: [MOPO] Provenance...............

                 

                   Actually, I don't own a SON OF DRACULA, just using
that as an illustration........in my case its another card from another
Universal film and Heritage is not the auction house/dealer in my case.

                  So, if provenance would not / cannot be disclosed, a
dealer or auction house seems to be putting themselves in the position
of taking in back in a No Questions Asked policy if I happen to suspect
it. I would not be able to go any further back than where I got it from
and they would have to honor my feeling about it?    

                 

                
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