ubermorgen user unfriendly

This opens today… well worth checking out… here's an excerpt with of an
interview I did with Ubermorgen which the full version of will appear in
Mute soonish…

http://nihilistoptimism.blogspot.co.uk/2013/10/shit-violence-love-and-art-interviewing.html

cheers
stevphen

UBERMORGEN
u s e r u n f r i e n d l y

11 October - 16 November 2013
Private view: Thursday 10 October, 6:30pm - 8:30pm

Carroll / Fletcher is delighted to announce u s e r u n f r i e n d l y,
the first solo exhibition in the UK for UBERMORGEN - the
Swiss-Austrian-American duo founded in 1999 by lizvlx and Hans Bernhard.
The exhibition features installations, videos, websites, actions,
pixellated prints, digital-oil paintings and photographs in a
hyper-active, super-enhanced exploration of censorship, surveillance,
torture, democracy, e-commerce, and newspeak. The works seek to
destabilise our understanding of the influence of technology,
corporations and governments on our everyday lives and subvert the
dominant networks of power that structure our world.

The exhibition includes two new installations - Do You Think That's
Funny? - The Edward Snowden Files (2013) and CCTV - A Parallel Universe
(2013) - that continue UBERMORGEN's open-ended investigations into
corporate and governmental authority; investigations that involve and
implicate both the artists and the audience in a complex global network
of power and influence. Perpetrator (2013) - a series of photographic
and video works based on the life of Guantanamo Bay military guard Chris
Arendt and his two month stay at the artists' home in 2008 - and
[V]ote-Auction (2000) - a platform that enabled trading of electoral
votes in the presidential race between George W. Bush and Al Gore -
broaden the scope of the artists' research to consider the nature of and
links between institutional and individual agency and responsibility.

Throughout the exhibition the infiltration and influence of the digital
realm on the physical is further explored through paintings, prints and
photographs. The Deephorizon (2010) series of digital-oil paintings
(based on aerial images of the 2006 oil rig disaster in the Gulf of
Mexico) reconsiders 'oil painting' as a live performance of
process-based art form. Whilst the Psych|OS (2002 and 2012) series of
photographs explores our relationship with mental illness, and
complements the Oldify (2013) series of prints that utilise the Oldify™
app that takes an image and ages it: 'It's the perfect way to confront
your own mortality during the springtime of your life.'[1]

In a section of the exhibition, curator and artist Aram Bartholl curates
a selection of UBERMORGEN's Net.Art works on as series of wireless
routers hung in the gallery. Each artwork is assigned a single Wi-Fi
router, which is accessible through devices such as smart-phones,
tablets or laptops. The content of the artwork is visible only on the
visitor's private screen.

UBERMORGEN's research-based practice is driven by a desire to satisfy
their own curiosity, without the constraints of having a defined
political agenda or preconceived beliefs: 'If art and art production
politicises itself, it becomes political and ceases to be art'[2].
Influenced by Dada and the Viennese Actionists, UBERMORGEN's 'digital
actionism' utilises modern technologies and performance-based strategies
to devise multi-layered, flexible narratives that blend fact and fiction
to draw both the artists and the audience in a real-time, ever-evolving
high-stakes game.

The exhibition will be accompanied by a 32pp publication featuring an
essay by curator Magda Tyżlik-Carver and conversations between
UBERMORGEN and Austrian quantum physicist Dr. Tobias Noebauer and
between UBERMORGEN and Edward Snowden.

For further information, interviews and images please contact
pr...@carrollfletcher.com or call +44(0)20 7323 6111

Image: UBERMORGEN, Singapore Psychos, Neo, 2013. Archival Pigment Print
on Canvas, 186x140cm
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