Why not have the camera notch the film edge when exposed? or burn a spot in
the sprocket hole area? Then when inserted, the film would wind past the
last mark and stop ready to take the next picture. For double exposures, it
could be backed up or just not advanced. That some chip programming but it
should be very easy to do.
Cy Galley - Bellanca Champion Club
Newsletter Editor & EAA TC
www.bellanca-championclub.com
----- Original Message -----
From: "Martin Corro" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, April 09, 2001 8:46 AM
Subject: Re: Film rewind with memory (WAS: Photo Expo Japan 2001 - MZ-S and
FA31Ltd)
> Another approach would be to have say n memories where the camera would
> store the number of frames already shot for n rolls. All you have to do is
> write down in the roll what memory goes with that roll.
> Example
> Memory #1: 23 frames shot
> Memory #2: 8 frames shot
> ......
> Memory #n: 15 frames shot
>
> When you change the roll you dial the number of the corresponding memory,
> and voila, the camera winds to that frame plus 1.
>
> What do you think?
>
> Martin
>
> -----Original Message-----
> From: Pål Jensen <[EMAIL PROTECTED]>
> To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
> Date: Monday, April 09, 2001 6:47 AM
> Subject: Re: Film rewind with memory (WAS: Photo Expo Japan 2001 - MZ-S
and
> FA31Ltd)
>
>
> Martin wrote:
>
>
> > My question:
> > But what happens to the 12 or 24 frames rolls?? Does the camera know how
> to
> > diferentiate each one (12, 24 or 36 frames)?
>
>
> You got me there. Anyway, the idea was pretty silly to start with. Its
> equally simple to dial in frame number (like Minolta and apparently the
MZ-S
> works) as roll number. With this frame number system you can switch
between
> as many roll as you like.
>
> Pål
>
> -
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>
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