Cant you read? I stand by all my statements. NEARLY ALL EXISTING digitally mastered recordings are inferior to good analog ones. "good" digital is brand new and as such there are very few "in the can". That is why NEARLY all of the new vinyl releases are from ANALOG masters, there arent hardly ANY digital masters good enuff for the LP medium. You or someone else stated in the very beginning that most of the new vinyl releases were from digital recordings ( NOT TRUE) and someone else or you stated that DIGITAL recordings were "light years" ahead of every Analog recording EVER made, ALSO NOT TRUE. JCO
-----Original Message----- From: Gonz [mailto:[EMAIL PROTECTED] Sent: Thursday, August 26, 2004 8:35 AM To: [EMAIL PROTECTED] Subject: Re: 35 vs digi - Some points to ponder. JCO, I think were in complete violent agreement here. If you didn't originally record something in a true high end digital system (analog mag tape), and your destination is an analog medium (LP), of course you dont want to introduce digitization sampling noise to the process. You go straight from analog. The same is true of images. If your original is film and your destination is print, scanning only degrades the image transfer process. You want to do it optically. BUT, if your original is DIGITAL or your destination is DIGITAL, you want to use a digital process. 24/196K is not too new to matter, its the future, and done correctly, vastly exceeds the S/N ratio of the best analog ever. Digital is not automatically better than analog, but analog has its limits for any technology, so does digital, but the lossless transfer/manipulation and reproduction of digital ( a bit is a bit) means that many of the processes that are the weakness of analog, i.e. amplification, storage, and reproduction (pickup), can be bypassed, especially with error correction codes. Of course the weakness in the digital system are at the two ends, both of which are analog microphones/pre-amps and speakers. A/D converters have gotten S/N down to imperceptible levels. Now if only we could get digital microphones and digital speakers!!! rg J. C. O'Connell wrote: > Not to stay off topic so long, but > > The number of truly high end digitally mastered recordings > is DWARFED by the number of analog ones. That is why audiophile LP > format fans shun digitally mastered recordings in general. The vast > majority of them are inferior to well mastered analog. That is why my > original statement on the matter is true. Nearly ALL of the high end > vinyl issues being made today are from analog masters, not digital. > For SONIC reasons. MOST existing digital recordings ARE inferior to > good analog ones because they are in the older unrefined early > digital, 24/196K is too new to matter. > > JCO > > > -----Original Message----- > From: Gonz [mailto:[EMAIL PROTECTED] > Sent: Thursday, August 26, 2004 12:23 AM > To: [EMAIL PROTECTED] > Subject: Re: 35 vs digi - Some points to ponder. > > > Yes, of course I'm referring to the high bit rate of current digital > sampling systems. Read again. And of course you don't want to sample > the analog stuff with digital if your final medium is going to be analog > > (LP). You want to go straight through an analog system without any > digitization noise. But if TODAY I want to make a recording, the best > way is to take the data straight out of the pre-amps, digitize it at the > > highest sampling rate and highest bit conversion I can get and save > that > > in digital form. Then it should be reproduced digitally, i.e. high > stream rate audio reproduction gear. It would be a foolish "audiophile" > > indeed that would attempt to take mag tape at any speed and beat that, > loud or quiet. nuf said. > > > [EMAIL PROTECTED] wrote: > >>you obviously are not an audiophile and no nothing about >>high end or professional audio and especially nothing >>about state of the art LP reproduction. Professional analog recordings > > >>can and often do sound incredibly good especially those made on the on > > >>high speed (30 IPS) wide ANALOG tape. Early 16/20 bit 44.1/48K digital > > >>was the crap! Yes now that 24 bit 196KHZ sampling exists digital has >>mostly caught up to ANALOG but prior to about 1990 that didn’t even >>exist even in professional studios. Lp fans do not want the original >>analog master recordings of the 50's, 60's, and 70's digitized and >>then converted back to analog. With LPs that is not necessary or >>desireable. It DEGRADES the sound quality. And the concensus is that >>the latest digital sounds AS GOOD as top line analog recording , NOT >>"light years ahead" it. Your post is simply absurd. It is not analog >>or digital that makes for a great recording, it is how far each >>technology is pushed. And one last thing, Music lovers don’t care how >>much better one format sounds WHEN THERE IS NO MUSIC, they care about >>which sounds better WHEN THE MUSIC IS PLAYING. >>JCO >> >> >>-----Original Message----- >>From: Gonz [mailto:[EMAIL PROTECTED] >>Sent: Wednesday, August 25, 2004 11:52 PM >>To: [EMAIL PROTECTED] >>Subject: Re: 35 vs digi - Some points to ponder. >> >> >>Huh? Analog mag tape original recordings are crap. Especially the >>older ones before metal came along. Horrible S/N ratio. Thats why >>Dolby went through such elaborate schemes to try to cut down on high >>frequency noise, which sounds like hiss to us. High end digital is > > the > >>way to go, conventional CD's at lower bit stream rates cannot > > duplicate > >>this, but higher end audio DVD's and some CD formats are now beginning > > >>to come out with the high bit stream rate reproduction, which is light > > >>years ahead of any analog recording ever made. Digital straight from >>the pre-amps. Quiet periods are where you can tell the difference >>immediately. >> >>rg >> >> >>[EMAIL PROTECTED] wrote: >> >> >>>WRONG WRONG WRONG. >>> >>>The vinyl being produced today is mostly reissues of the finest >>>recordings, both musically and sonically, on very high quality thick >>>virgin vinyl for the best possible sound quality. >>> >>>About 99 percent of these masters are ANALOG not digital because >>>those >> >> >>>are the best and these recordings are GREAT MUSIC not just boring >>>demos no one wants to hear. The main reason they are economically >>>viable is that the original LPS are rare and valuable in excellent or >>>better condition so the $20-$30 for a good reissue seems like a >>>bargain the discriminating music lover. >>> >>>JCO >>> >>>-----Original Message----- >>>From: Rob Studdert [mailto:[EMAIL PROTECTED] >>>Sent: Wednesday, August 25, 2004 7:06 PM >>>To: [EMAIL PROTECTED] >>>Subject: Re: 35 vs digi - Some points to ponder. >>> >>> >>>On 25 Aug 2004 at 21:23, Pål Jensen wrote: >>> >>> >>> >>> >>>>Gonz wrote: >>>> >>>>Is any record company making LPs anymore? >>>> >>>> >>>>REPLY: >>>> >>>>Yes. It is a thriving business. But of course it is mostly high-end >>>>users who are interested. Not mass market. Audiophile issues are >>>>popular. >>> >>> >>>And few recordings (mostly digital in origin) are available in vinyl, >>>a lot of the Audiophile label recordings are esoteric and are >>>designed >> >> >>>primarily to >>>display the capabilities of ones system when having your audiophile >>>friends over for a listening session. :-) >>> >>>It's akin to handing out your visiting photo pals loupes and lens >>>test >> >> >>>chart images shot on 4x5 sheet film. Very impressive but boring as >>>bat >> >> >>>sh*t. >>> >>> >>>Rob Studdert >>>HURSTVILLE AUSTRALIA >>>Tel +61-2-9554-4110 >>>UTC(GMT) +10 Hours >>>[EMAIL PROTECTED] >>>http://members.ozemail.com.au/~distudio/publications/ >>>Pentax user since 1986, PDMLer since 1998 >>> >>> >>> >> >> >> > > >
