We are probably having a "tangential conversation". :-) I was referring to a traditional print. The enlarger has filters for the light source that affect the color balance of the light that reaches the negative.
My point is that traditionally a filtering mechanism is used either at image capture time or at print time to provide color correction for the rendered image. By suggesting a warming filter in Photoshop be used, I was merely suggesting that an analog of the traditional approach be used. I don't know the best way to something all the time, but I may know a way that works. :-) Tom C. >From: "Bob W" <[EMAIL PROTECTED]> >Reply-To: Pentax-Discuss Mail List <pdml@pdml.net> >To: "'Pentax-Discuss Mail List'" <pdml@pdml.net> >Subject: RE: Color Cast Question >Date: Thu, 6 Jul 2006 21:36:32 +0100 > > > > > How would a color negative exhibiting a bluish cast be corrected >when > > printing??? Rhetorical question. > > > > > > Tom C. > > > >Rhetorical answer: > >Do you mean a digital print or a traditional print? I know absolutely >nothing about traditional colour printing, and probably never will. > >For digital printing from a colour neg I don't know for sure, but I >suppose from reading the article (I stress that I haven't actually >tried any of this yet) that you look for something that is neutral in >the real world, preferably black or white, and set that to the colour >values that closely match the real world colour values. Everything >else should fall into place since all the relationships in between the >black and white values are maintained. > >Bob > > > >-- >PDML Pentax-Discuss Mail List >PDML@pdml.net >http://pdml.net/mailman/listinfo/pdml_pdml.net -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net
