Ann Sanfedele wrote: > Me too. Yellow for most things - orange for a lot of stuff, > too. > as for film - TX developed in Microdol 1:3 for fine grain. Just to add a "me three": I like to shoot with a #25 red most of the time when I'm shooting b&w (and not shooting in the dark or near-dark). Yes, it eats up a ton of light (2.5 stops), but I love the effect, and the monochrome viewfinder helps me visualize in b&w. I'm a fan of Ilford HP5, Fuji Neopan 1600, Ilford Delta 3200 and Agfapan 25. Usually I process everything in Agfa Studional in Mister Jobo, but I also like Ilford Microphen for the fast films when I'm pushing. -Aaron - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
- Re: RE: picking black and white print film David J Brooks
- Re: picking black and white print film Anand DHUPKAR
- Re: picking black and white print film Cory or Brenda Waters
- Re: picking black and white print film Maris V. Lidaka, Sr.
- Re: picking black and white print film Edmptx
- Re: picking black and white print film tom
- Re: picking black and white print film Shel Belinkoff
- Re[2]: picking black and white print film Bob Walkden
- Re: picking black and white print film Ann Sanfedele
- Aaron need film advise Aaron Reynolds
- Aaron need film advise Brendan
- Re: Aaron need film advise Bruce Dayton
- Re: Aaron need film advise Aaron Reynolds
- Re: picking black and white print film Chris Brogden
- Re: picking black and white print film Jody
- Re: picking black and white print film Collin Brendemuehl
- Re: picking black and white print film Chris Brogden
- Re: picking black and white print film Ann Sanfedele
- Re: picking black and white print film PAUL STENQUIST
- RE: picking black and white print film tom