> Sorry guys but you really cant do serious
> Architechure with any pentax cameras or
> Lenses because you need full camera movements
> That only a view camera can provide for architecture.
> Its amazing what you can do with a view for that.
> jco

I thought tilt/shift lenses were designed to perform perspective correction?
According to this page:

http://www.ohse.de/uwe/articles/shift-tilt.html

for Pentax K-mount cameras, there are shift and tilt/shift lenses available
from:

Pentax(!): SMC A 28mm f3.5 shift
Schneider-Kreuznach: 28mm f2.8 shift, 35mm f4 shift (M42)
Zavod Arsenal: 35mm f2.8 shift and tilt/shift, 80mm f2.8 tilt/shift

Also, at:

http://www.rugift.com/photocameras/pentax_cameras_lenses.htm

There are 2 Russian lenses of interest - a 35mm f2.8 tilt/shift, and an 80mm
f2.8 tilt/shift.

So it seems all is not lost for Pentax users. The Zavod Arsenal and Russian
lenses at least offer tilt/shift which should correct fully for perspective, at
least within their design limits.

Disclaimer: I have never used a view camera, so there may indeed be adjustments
possible with a view camera, that cannot be similarly achieved with a
tilt/shift lens on an SLR. I will be happy to be corrected.

But anyway I guess I don't qualify as a "serious" architecture photographer...
I'm not too concerned about perspective correction - I usually just try to hold
the camera level, and I sometimes use the perspective distortion for dramatic
shots. I'm more concerned about wavy/barrel distortion.

> In fact, all the "wide-to-normal" or "wide-to-small tele" zoom lenses that I
> know show too much distortion for "serious" architecture photography. That is
> also the case with the 16-45, judging from the photos I have seen and user
> reports. But I also think that many zooms lenses are useful for that
> kind of photography if the photographer understands their limitations
> and can live with them, or is prepared to correct the shots in post
> processing.

> Carlos

Thanks for the inputs. Most of my picture-taking is done while travelling, so a
zoom is definitely more convenient than a bagful of lenses. As for
architecture, here are some examples of "architecture" that I photograph:

http://www.flickr.com/photos/[EMAIL PROTECTED]/

If the link works, you can see that I don't shoot brick walls ;-) so if the
wavy/barrel distortion is not too obvious, I'm OK. Normally, the limiting
factor is me, not the equipment. And if the final budget dictates either the
16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm going with
the latter.

Benjamin

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