Flatbeds suck for 35mm unless you go high-end and get ANR inserts. Then 
they are merely adequate.

But they're very popular for scanning 120/220 as dedicated solutions 
cost a lot.

-Adam


Tom C wrote:
> I've never scanned 35mm on a flatbed.  Always with a dedicated film scanner.
> 
> 
> 
> Tom C.
> 
>> -----Original Message-----
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
> Adam
>> Maas
>> Sent: Thursday, November 08, 2007 5:53 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: Shooting film (Velvia)
>>
>> Velvia and Kodachrome are too high contrast to get good scans on low-end
>> flatbed scanners and older mid/high-end flatbeds. The scanners simply
>> don't have the DMax to handle these emulsions. Higher-end current
>> flatbeds and vaguely recent dedicated scanners can handle the high
>> contrast of these emulsions (Of course, you will still need to adjust
>> the scan to get a good final result).
>>
>> -Adam
>>
>>
>> Tom C wrote:
>>> There's no film that's practically unscannable that I'm aware of.  I've
>>> scanned both Velvia and Kodachrome.  A scanner/film combination may
> exhibit
>>> certain characteristics.
>>>
>>> What's really being referred to is the relative ease of getting the
> desired
>>> results in a raw unadjusted scan.  Certainly some films are more easily
>>> scanned and require less adjustment, but I have always got results that
>>> ranged from satisfactory to great, depending on how much time I spent
> and
>>> the intended purpose.
>>>
>>> Essentially the scanner is taking a picture of the film, and as with all
>>> images, exposure, contrast, etc., will likely need adjusted after the
> scan.
>>> We all tend to expect things will work like magic, just like our cameras
>>> should never over/under expose.
>>>
>>> Someone will likely disagree or come up with that instance where their
> scans
>>> of this/that film were absolutely horrendous and no amount of adjustment
>>> could make it better, but I haven't seen it yet.
>>>
>>> Tom C.
>>>
>>>
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