> my brother's father-in-law 
> (there's gotta be a shorter way to say that) 

If you're from West Virginia, 'father'.

 

> -----Original Message-----
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On 
> Behalf Of D. Glenn Arthur Jr.
> Sent: 07 January 2010 19:52
> To: pdml@pdml.net
> Subject: Whingeing about workflow
> 
> At the family Christmas party, my brother's father-in-law 
> (there's gotta be a shorter way to say that) asked about my 
> photography and whether I did it for money, and I commented 
> that if I were any good at the _marketing_, I'd do it for 
> money.  He asked me to round up a sampling of my work and 
> he'd see whether he could do anything to help with the 
> marketing angle.  So I've been going through a lot of my 
> recent-ish backlog, picking out portfolio-worthy shots to 
> edit into shape.  (When I go back home, I'll fire up the 
> scanner; here at Mom's house, I'm going by what I have on 
> hand on CF cards, CD, and cluttering up my laptop's hard drive.)
> 
> The first step, of course, is to decide which photos are 
> worth spending any time on.  I'm also trying to get some of 
> these folders of photos moved off onto CD to free up space on 
> the laptop.  So I'm going through lots of images, deciding 
> which to copy (well, hard-link) to the "possible portfolio 
> candidates" folder to take a closer look at later and maybe 
> fire up GIMP on.
> 
> And it strikes me that when I'm going through a collection of 
> photos where I tried different angles and lighting on the 
> same subject, or where I shot lots of frames of some event, 
> that culling the duds and picking out which of the good shots 
> to consider redundant ... was a whole lot easier when I was 
> sorting through a stack of 4x6 glossy proofs that I could 
> easily shuffle, look at in twos and threes next to each 
> other, etc.  I haven't found an approach yet that feels 
> anywhere near as smooth or natural on the computer.
> 
> And that's even before we get into the whole business with 
> corrections and adjustments the folks at the lab did for me 
> when I was paying somebody to develop and print.  (OTOH, an 
> awful lot of film from the last couple of years before I got 
> the *istD is still in the freezer waiting for me to be able 
> to afford to have somebody develop and print it, so even 
> though digital is a lot more work, I'm actually _seeing_ what 
> I've shot instead of tossing it in the freezer to hopefully see
> someday.)
> 
> At the aforementioned Christmas party, folks saw me shooting 
> with a Fancy Camera (i.e. not a P&S, and with a big ol' flash 
> unit stuck on the shoe), and asked when they'd see the 
> pictures.  So I made an effort to winnow that evening's shots 
> and tweak (crop/levels/etc.) the good ones in time to hand a 
> CD to my brother two days later when I knew he'd be stopping 
> by.  I didn't keep close track, but it was something like 16 
> hours of editing for one party worth (three or four hours) of 
> mostly casual shooting[*].  
> 
> I'm sure I'll get faster at this as I go on.  But I suspect 
> that choosing a subject, composing the shot, working out 
> lighting, and operating the camera will all continue to count 
> as The Easy Part.
> (Maybe I need to team up with somebody who doesn't like 
> taking photos but loves editing them, and whose aesthetic 
> closely resembles
> mine.)  In the meantime, I guess I ought to crawl through the 
> mailing list archives for advice on digital workflow and 
> tools that I skipped over before.
> 
> Anyhow, I just felt a need to whine about how long this 
> instant technology is taking me.  Now to get back to editing 
> instead of whining for a while ...
> 
>                                       -- Glenn
> 
> [*] I did go into Serious Photographer mode to try to capture 
> the smokestack on the cardboard-box "hotel" my nepphew made 
> out of the box a gigantic flat-screen television had come in 
> -- my brother stuck a humidifier inside so the mist would 
> come out the chimney and look like smoke.
> 
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