On Feb 6, 2010, at 3:46 PM, Christine Aguila wrote:


From: "Stan Halpin" <s...@stans-photography.info>

So, for those who have both the 50-135 and 60-250, have you found yourself leaving the 50-135 behind? Or is that still your primary choice of a longish zoom, with the 60-250 brought out only for special occasions?


I use both quite a bit. In the summer when I'm shooting a lot of cars and Grace's sports activities, I tend to have the 60-250 mounted most often. Sometimes we'll do a walkaround after a game, and I just keep it on the camera. In the winter, Grace and I go to the coffee shop and do short walkarounds. I almost always use the 50-135 on those occasions, although I'll sometimes go with the DA 16-50 instead. I rarely take the 60-250 to the coffee shop or other indoor venues. In addition to being 20% longer at the short end than the 50-135, it's rather conspicuous. It's a honker:-). For indoor events, like weddings or the like, I generally use the 50-135 and the 16-50 on two bodies. For weddings with outdoor ceremonies and other outdoor events that I'm covering professionally, I'll frequently use the 60-250 and 16-50 on two bodies.

Paul

Excellent question, Stan, and I thought William's response interesting. It'll be interesting to read the views of other PDMLers.

The real value of the construction story I've been shooting has been the little bit of self-reflection I've done on working in the field, handling equipment, and thinking about equipment needs. My dream situation would be to have 3 bodies: 1 for wide zoom (which I have); 1 for medium-tele (which I have); and 1 with a 200mm or 300mm lens (which I don't have). I could really use a 200 for sure, maybe a 300. I wouldn't be that willing to replace the 50-135 for the 60-250. Maybe I'm just being sentimental :-).

Cheers, Christine






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