On Aug 28, 2010, at 6:46 PM, Bob W wrote:

>> 
>>>> I'm going to plung into this project for the next year. I want to
>>> photograph
>>>> people under the el tracks downtown.
>>>> 
>>>> I would like to know how folks might meter for this project.
>>>> 
>>>> The 1st 3 photos were taken with the K20D last year, and from the sax
>>> player
>>>> on those photos were taken with the K7 this year.  All photos were at
>>>> ISO
>>>> 1600 except the sax player, which was 800.  You can see I've some
>>> challanges
>>>> with light and shadow.
>>>> 
>>>> All 7 photos here are *as shot* except for correction to level
>>>> allignment
>>> for
>>>> the K20D shots.
>>>> 
>>>> http://www.caguila.com/caguila/trackstest
>>>> 
>>> 
>>> I would shoot at the sensor's 'natural' iso - 100, 160 or whatever,
>>> which will give you the most dynamic range. Meter for the highlights
>>> and use the histogram to make sure you're exposing as far to the right
> as
>> you can.
>> 
>> If she meters for the highlights in this situation, she'll have nice pics
> of the
>> background, but the main subjects will be lost. If she pumps up the
> shadows
>> to restore them, they'll be noisy as hell.
>> Paul
> 
> it's a trade-off between that and blown highlights. 

The highlights are insignificant background elements.With film, exposing for 
highlights is okay. With digital, it's a no-no, because boosting shadows turns 
them to shit. In any case, boosting the shadows during exposure is the best 
solution here.
Paul

> 
>> 
>> 
>>> Then
>>> use LR to pull the shadows to the left if that's needed. If you do
>>> this you will ensure the maximum range without blowing out the
>>> highlights. If the shadows turn to black then you've lost less then
>>> you would if you hadn't expoised to the right.
>>> 
>>> If you want detail in the shadows then you need to be very careful
>>> that you exclude extreme highlights from the frame. It's the same as
>>> shooting slides, except for the histogram trick.
>>> 
>>> Bob
>>> 
>>> 
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