In the gelatine days I had the habit of not winding the lip of a film
entirely into the cartrige.

In a friend's marriage once, I made sure I had exposed film in one
pocket and unexposed film in the other. Then I was asked to do a group
shot and had to change film with all the wedding guests lined up in
front of me. I picked a roll from the wrong pocket. Most of the
exposures were screw'd of course, but there were a few silly fun shots
too.

Like the groom's two gorgeous young sisters waiting for the couple to
exit the church. Prudently erect and elegant in their cocktail
dresses, holding their little purses in front of them. Except the one
purse that was exactly replaced by a slightly overexposed box of table
salt...



2011/4/14 Collin Brendemuehl <coll...@brendemuehl.net>:
> I was in college and had shot 35mm during HS and had also made good use of my 
> GIII just before getting the K1000.  So when a popular speaker came to the 
> college I got there early and got a front-row set.  Then I sat on the floor 
> and shot up at him as he spoke, walked, and gestured.  He got quite animated 
> for the cameras.  (Some people really enjoy being photographed.)
>
> Anyway, afterward I noticed that the film rewound too quickly.  And we all 
> know what that means.  (Or is that assuming too much these days?  Have people 
> forgotten?)
>
> Sincerely,
>
> Collin Brendemuehl
> http://kerygmainstitute.org
>
> "He is no fool who gives what he cannot keep to gain what he cannot lose"
> -- Jim Elliott
>
>
>
>
>
>
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