What Mark said.  The Auto White Balance is remarkable, often very
close to as good as I could do by hand; and sometimes, I suspect,
better.

But I'm surprised at you getting good results with "Auto tone".  I
rarely like what it does.  -Tim

On Wed, Apr 20, 2011 at 2:54 PM, Tim Bray <tb...@textuality.com> wrote:
> Well, and if you need to clone out a large object, I've never figured
> out how to make Lr do that.  -T
>
> On Wed, Apr 20, 2011 at 2:23 PM, Mark Roberts <m...@robertstech.com> wrote:
>> Tim Bray wrote:
>>
>>>These days, I totally don't recommend Photoshop for photographers.
>>>Yes, there are certain kinds of defects that can only be fixed, and
>>>wholesale bit surgery that can only be performed, in Photoshop.  But
>>>for 80% of photogs iPhoto or equivalent will do what they need, and
>>>for 90% of the remaining 20%, including most PDML types, I suspect
>>>Aperture or Lightroom will float their boat just fine.
>>
>> This is exactly what I tell people: For most photographers Photoshop
>> is a waste of money and time and Lightroom is all they need. I shot a
>> big batch of photos at the Boston Marathon a couple of days ago and
>> found that selecting "all" and applying Lightroom's auto white balance
>> and "auto tone control" (overall adjustments) gave me results at lease
>> as good as and probably better than I'd have had shooting JPEG with no
>> extra time spent. And when I want to really fine tune shots it's much
>> faster to do the work in Lightroom. I only need Photoshop if I've
>> really screwed up something in the shot (extreme blown highlights,
>> etc.) or if I'm making a critical fine art print.
>>
>> Photoshop has really become a graphic designer's tool.
>>
>> --
>> Mark Roberts - Photography & Multimedia
>> www.robertstech.com
>>
>>
>>
>>
>>
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