Okay, I see that. Yeah, being a dominate close element, the arm/glove
is a bit too soft.

But something had to give. The in-focus plain is deep enough to
include her face and ear, and cuts right down the center of her chest.
I could have asked her to press her right arm over tighter to get it
into focus, but that would have squeezed her boobs in a rather lewd
way, and completely changed the tone of the image to something I'm not
intending at all.

Photography: if you're lucky you get to *choose* your compromises.


On Mon, May 7, 2012 at 7:41 PM, Jack Davis <jdavi...@yahoo.com> wrote:
> The near arm at the top of the glove and the hair on the upper right though 
> less concerning.
> Both these areas go beyond "soft impression" to fuzzy.
>
> Jack
>
> From: Bruce Walker <bruce.wal...@gmail.com>
> To: Pentax-Discuss Mail List <pdml@pdml.net>
> Sent: Monday, May 7, 2012 3:48 PM
> Subject: Re: PESO Lee
>
> More DoF? I'm curious: what were you hoping to see sharper, Jack? I
> was after the softness and flow that Derby noted; fits with the soft
> indirect light (the vertical blinds forced indirect light).
>
> Thanks for looking and commenting, Jack!
>
>
> On Mon, May 7, 2012 at 12:52 PM, Jack Davis <jdavi...@yahoo.com> wrote:
>>
>> My feelings as well, Frank. I see a bit of anxiety.
>> As an aside; needs greater DOF.
>>
>> Jack
>>
>> From: "knarftheria...@gmail.com" <knarftheria...@gmail.com>
>> To: ""Pentax-Discuss Mail List"" <pdml@pdml.net>
>> Sent: Monday, May 7, 2012 9:28 AM
>> Subject: Re: PESO Lee
>>
>> Well, maybe it's just me. So far several have commented and I seem to be
>> the only one who senses this expression of discomfort.
>>
>> Btw, just to be clear, I'm not saying that she actually feels discomfort
>> or trepidation, just that I'm getting it from her facial expression. I
>> certainly understand that you've captured a split-second in time and
>> whatever is there was fleeting at most; as you said, possibly "transitional"
>> between looks.
>>
>> But so far I seem to be alone on this one, so carry on...
>>
>> :-)
>>
>> Cheers,
>> frank
>>
>> "What can be asserted without proof can be dismissed without proof." --
>> Christopher Hitchens
>>
>> --- Original Message ---
>>
>> From: Bruce Walker <bruce.wal...@gmail.com>
>> Sent: May 7, 2012 5/7/12
>> To: "Pentax-Discuss Mail List" <pdml@pdml.net>
>> Subject: Re: PESO Lee
>>
>> Frank, I thank you for bring this up. I share with a lot of people the
>> inability to read subtle expressions. I will freely admit to choosing
>> this shot as a keeper to retouch and present because of the framing,
>> the sharp eyes but overall softness -- technical reasons. I saw a
>> contemplative vulnerability in her expression, but didn't think about
>> it much more. I was hoping for a relaxed, natural look.
>>
>> It's tricky shooting anything close to a candid with Lee because she's
>> always "on". As soon as she sees a camera pointed at her she starts
>> going through a routine of poses, even while just sitting. I may have
>> caught her midway between two canned expressions (she specializes in
>> pinups, so has a fine repertoire of pouts and giddy smiles), or I may
>> have caught a "why doesn't this guy just go away and let me chill
>> here" look -- I dunno.
>>
>> Anyway, I think this works because it is ambiguous. Once I started
>> thinking about your observation I figured, this is good--makes you
>> think. In other words, it is not obvious. For me "not obvious" is
>> desirable in a shot.
>>
>>
>> On Mon, May 7, 2012 at 9:15 AM, knarftheria...@gmail.com
>> <knarftheria...@gmail.com> wrote:
>> > Technically this is a brilliant shot (as all yours are) but I see a look
>> > unease and trepidation on her face, especially in her eyes. It's as if she
>> > was being very sexy but suddenly saw something that she's afraid of.
>> >
>> > If that is what you were going for then the photo is a success.
>> >
>> > I will be interested see if anyone else gets that from her expression or
>> > if it's just me.
>> >
>> > Cheers,
>> > frank
>> >
>> > "What can be asserted without proof can be dismissed without proof." --
>> > Christopher Hitchens
>> >
>> > --- Original Message ---
>> >
>> > From: Bruce Walker <bruce.wal...@gmail.com>
>> > Sent: May 7, 2012 5/7/12
>> > To: Pentax Discuss Mailing List <PDML@pdml.net>
>> > Subject: PESO Lee
>> >
>> > Shot first, rhetoric follows ...
>> >
>> > http://www.flickr.com/bruce_m_walker/7150745325/lightbox/
>> >
>> > Many would say this couldn't be done: vintage K100D Super, ISO 800,
>> > DA* 55 wide open at f/1.4. Accident totally waiting to happen.
>> >
>> > "It'll be uselessly noisy!" ... "It'll all be way too soft!" ... "6
>> > megapixels isn't enough!"
>> >
>> > You be the judge.
>> >
>> > At a posing and direction workshop held by my friend Neeto da Silva. I
>> > was kind of a guest participant, and I got this in the chill-out area
>> > while Lee and I were waiting our turns on-set. Model is Lee Riley,
>> > hair & makeup is Christine Chan. Retouch is moi.
>> >
>> > Comments welcome!
>> >
>> > --
>> > -bmw
>> >
>> > --
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>>
>>
>> --
>> -bmw
>>
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>
>
>
> --
> -bmw
>
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-- 
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